Illuminating the Imperceptible, Researching Mina'i Ceramics with Digital Imaging Techniques. [PDF]
Norris D, Watson O.
europepmc +1 more source
Biodeterioration effects of three Aspergillus species on stucco supported on a wooden panel modeled from Sultan al-Ashraf Qaytbay Mausoleum, Egypt. [PDF]
Afifi HAM +3 more
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The Leipzig Numismatic Contest of 1752 - An Incentive From the Imperial Coin Collection to Reestabilish the Ability to Attribute Arabic Coins [PDF]
The contribution aims at a double goal. On the one hand, it reevaluates the significance of plates of islamic coins published in 1752. And on the other hand, it discusses the origins of islamic Numismatics.
Ilisch, Lutz
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The Observational Instruments at the Maragha Observatory after AD 1300 [PDF]
The present paper introduces, investigates, analyses, and comments on an anonymous treatise in Persian named al-Risāla al-Ghāzāniyya fi ’l-ālāt alra ½×diyya, “Ghāzān’s (or Ghāzānid) treatise on the observational instruments”, which describes the ...
Mozaffari, S. Mohammad, Zotti, Georg
core
Advanced materials engineering in historical gypsum plaster formulations. [PDF]
Mishmastnehi M +4 more
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Lur, Consolidation of Ilkhanids [PDF]
Hamidreza Safakish, Homayoon Hatamian
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Timurid Tile Style in Anatolia and Footprints of Masters of Tabriz [PDF]
Due to the political situation after the Ankara Battle, impact of Timurid style appears in Ottoman art lasting about a century. After reorganizing process from the concussion of defeat in Ankara, Ottomans import the artistic style of Timurids, which is ...
Mustafa Çağhan, Keskin
core
With the death of Abū Sa‘īd Bahādur Khan in 1335 without an heir, powerful tribes under the centralised Ilkhanid state sought to assert control. Among them was the Mongolized Jalayir tribe, originally Turkic.
Ahmet Korkmaz
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Iranian-Chinese textiles impact on Italian peers depicted in some 14th-century Tuscan paintings
The influence of Chinese art, following the conquests of Mongols, is visible in other countries’ arts, including Italian textiles and paintings of the 14th century.
Farinaz Farbod, Yasaman Farhangpour
doaj
Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations
Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of
Fei Jia
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