Results 31 to 40 of about 19,265 (200)
La escritura hagiográfica de Castillo Solórzano: el Sagrario de Valencia (1635)
Edad de Oro, 2018 El propósito de este artículo es analizar el Sagrario de Valencia, una de las obras más singulares de Alonso de Castillo Solórzano por alejarse de su línea picaresco-cortesana.
Cristina Castillo Martínez
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Entre imitatio Alexandri et imitatio Herculis : Pompée et l’universalisme romain
Pallas, 2013 In the sixties B.C. Pompey was Rome’s muscleman. He had three times triumphed, on the three continents that bordered the Interior Sea ; he was the first to claim for himself a universalism which Augustus was to make his own a few decades later.
Donata Villani
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Ornamented intabulations and derived fantasias: parody, imitatio, and genre in Vincenzo Galilei’s lute arrangments of Alessandro Striggios “Nasce la pena mia” [PDF]
, 2011 Jean-Michel Vaccaro in 1981 proposed a four-fold classification of sixteenth-century pieces for solo lute, ordered by the degree to which the composer is constrained by fidelity to a pre-existent model, usually a polyphonic vocal work such as a chanson ...
Argondizza, Peter
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Thomas Aquinas on the Predestination of Christ
Modern Theology, Volume 41, Issue 4, Page 684-705, October 2025.Abstract In this article, I examine the development of Thomas's doctrine of the predestination of Christ against the broader backdrop of thirteenth‐century scholasticism, highlighting its distinctively Christocentric character. Pauline texts (Eph. 1:4; Rom.
Joshua H. Lim
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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"Abrevia su hermosura virgen rosa": en torno a un símil de la Soledad primera
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro, 2021 El presente estudio examina un pasaje de la Soledad primera a la luz de las prácticas de la imitatio. En el análisis del símil de la rosa se identifica el modelo subyacente (una comparación engastada en un soneto laudatorio de Torquato Tasso) así como ...
Jesús Ponce Cárdenas
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Die Metamorphosen als intertextuelles Prinzip [PDF]
, 2002 Die Metamorphosen als intertextuelles Prinzip 1. Antike Intertextualität im Spannungsfeld von aemulatio und imitatio Ein antikes Werk steht in nahezu keinem Fall für sich, sondern ist immer die Antwort auf einen Vorgängertext in variierender ...
Reber, Ursula
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
German Life and Letters, Volume 78, Issue 2, Page 194-216, April 2025.ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
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