Results 41 to 50 of about 3,045 (187)
When Did Pompey the Great Engage in his imitatio Alexandri?
Studies in Ancient Art and Civilization, 2017 The aim of this article is to revisit the issue of Pompey the Great’s imitatio Alexandri, especially the timetable for its beginnings and development. Previous studies of the subject have indicated that either the Roman general was involved in imitating ...
Kamil Kopij
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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El áureo de Cn. Pompeyo Magno (RRC 402/1)
Espacio, Tiempo y Forma. Serie II, Historia Antigua, 2010 La aparición de un quinto ejemplar del raro áureo de Cn. Pompeyo Magno (cos. I 70 a.C.) nos ha llevado a retomar esta amonedación, de claro carácter triunfal, que se ha relacionado con cada uno de los tres triunfos de Pompeyo, celebrados respectivamente ...
Luis Amela Valverde
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
German Life and Letters, Volume 78, Issue 2, Page 194-216, April 2025.ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
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Klio, 2023 Artykuł podejmuje problem naśladowania Aleksandra Wielkiego przez Demetriusza Poliorketesa. Pogląd, że imitatio Alexandri stanowiło dominujący stosunek tego władcy do pamięci o Aleksandrze został szeroko zaakceptowany przez współczesnych badaczy. Z tego
Tomasz Zieliński
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Homo Poeta: Rowan Williams and Poetic Anthropology
Modern Theology, Volume 41, Issue 1, Page 96-119, January 2025.Abstract Rowan Williams's trinitarian ontology rests on the affirmation of eros within God and the ‘irreducible otherness’ of the divine persons to one another. The divine persons are accordingly conceived in ek‐static terms as ‘giving more than they are’.
Patrick John McGlinchey
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, 2020 Abordando a formação da consciência moderna, este artigo considera a Querela dos Antigos e dos Modernos a partir de duas noções estéticas fundamentais: a imitatio e a aemulatio.O modo como progressivamente se faz o elogio da emulação face à simples ...
Mateus, Samuel
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I, monster: queerness and the Liber Monstrorum in early medieval St Gall
Early Medieval Europe, Volume 32, Issue 4, Page 543-564, November 2024.This article analyses a ninth‐century copy of the Liber monstrorum from St Gall in which the first monster, a ‘human of both sexes’, speaks in the first person. The scribe also put the Liber monstrorum into dialogue with Isidore of Seville’s Etymologiae, in which Isidore argued that monsters were not ‘contrary to nature’.
Michael Eber
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Imitatio, Civic Education, and the Digital Temper [PDF]
, 2019 This essay advocates for the reinvigoration of imitatio pedagogy to reestablish disciplinary commitment to civic education in perilous democratic times. I argue that imitatio offers a needed response to several contemporary democratic challenges.
Ohl, Jessy
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Imitatio Christi and Imitatio Dei: High Christology and Ignatius of antioch’s Ethics
Perichoresis: The Theological Journal of Emanuel University, 2019 Scholars have long noted Ignatius of Antioch’s statements of high christology. Jesus, who as God appeared in human form (Eph. 19.3), is ‘God in man’ (Eph. 7.2) and is ‘our God’ (Eph. inscr.; 15.3; 18.2; Rom. inscr.; 3.3; Polyc. 8.3).
Hartog Paul A.
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