Aesthetic Experience in the Concepts of R. Ingarden, V. Schapp and K. Stavenhagen
RUDN Journal of Philosophy, 2022 The article summarizes the views of representatives of the phenomenological aesthetics of the twentieth century and the most famous students of Husserl.
Evgeniy A. Popov
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Evaluation Factors and Pricing Stochastic Model of Contemporary Art
Mobile Information Systems, Volume 2022, Issue 1, 2022., 2022 Contemporary art is the artwork created by currently active artists. As a result, it reflects the many complexities that shape our varied, global, and continuously changing world. Many modern artists use their work to investigate personal or cultural identity, criticize societal and institutional frameworks, or even redefine art itself.
Yufei Chen, Abid Yahya
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ON FINDING AND FABRICATING: MEMORY AND FAMILY HISTORY IN KATJA PETROWSKAJA'S VIELLEICHT ESTHER
German Life and Letters, Volume 74, Issue 4, Page 537-550, October 2021., 2021 ABSTRACT This article argues that Katja Petrowskaja's award‐winning text, Vielleicht Esther (2014), brings a hyper‐local concept of family history to the debate on transnational memory. While the text documents the quest of the narrator for lost or forgotten parts of the life stories of family members who perished in the Holocaust, it also takes ...
SUSANNE ROHR
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Roman Ingarden’s theory of intentional musical work [PDF]
Muzikologija, 2004 Roman Ingarden (1893-1970) is a representative of the phenomenological trend in philosophy. He pursued his ontological interests in his fundamental treatise Das literarische Kunstwerk that was the starting point for his studies of other areas of art ...
Stęszewski Jan
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A Phenomenological “Aesthetics of Isolation” as Environmental Aestheticsfor an Era of Ubiquitous Art [PDF]
The Polish Journal of Aesthetics, 2018 Here the concept of the human being as a “relatively isolated system” developed in Ingarden’s later phenomenology is adapted into an “aesthetics of isolation” that complements conventional environmental aesthetics.
Matthew E. Gladden
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Ambiguity and the interaction between the text and reader in Jurjani's theory from a phenomenological perspective [PDF]
دراسات في اللغة العربيّة وآدابها, 2021 This study aims to examine Abd Al-Qahir Jurjani's theory from a phenomenological perspective. Because it can be acknowledged that his theory should be studied, not because it was the first in many respects, but because it is still working.
Zahra Delavar Abrebekooh +3 more
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The Destiny of Phenomenology: Gadamer on Value, Globalism, and the Growth of Being
, 2023 The Heythrop Journal, Volume 64, Issue 2, Page 215-226, March 2023.
Jessica Frazier
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Gregor Samsa’s Spots of Indeterminacy: Kafka as Phenomenologist [PDF]
The Polish Journal of Aesthetics, 2019 Kafka’s presentation of Gregor Samsa in Metamorphosisis explicable using Ingarden’s ontology of the literary work of art. The common heritage of Kafka’s and Ingarden’s theo-retical commitments (Franz Brentano) might explain the conceptual ...
Charlene Elsby
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Through the Eyes of an Artist at the Turn of the Centuries. About Anton Chekhov’s Story “The House with a Mezzanine” [PDF]
Два века русской классикиUnlike most studies devoted to A. Chekhov’s story “The House with a Mezzanine,” the article examines the problem of two enduring values — truth and beauty, which is not always noticeable at first glance.
Vasilii G. Shchukin
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Roman Ingarden and Karol Wojtyła’s Reading of Max Scheler
Logos i Ethos, 2023 The purpose of this paper is to analyze the criticism that Roman Ingarden and Karol Wojtyła made of the ethical system proposed by Max Scheler. On the basis of the indicated similarities in the two critiques, the article defends the thesis that the ...
Karol Petryszak
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