Results 41 to 50 of about 886 (138)
Kinetic Engine: Toward An Intelligent Improvising Instrument
, 2006 (Abstract to follow)
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Новые исследования Тувы, 2017 In the 20th century, Tuvan music culture has undergone dramatic upheaval and a number of transformations. Today we face an acute need to rethink the achievements and losses incurred over that period of time. The objective of this article is to reconsider
Valentina Yu. Suzukey
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Principles of Transmission and Collective Composition in Turkmen Dutar Performance [PDF]
Analytical Approaches to World Music, 2017 This paper focuses on a repertoire of instrumental pieces performed and orally transmitted among players of a two-stringed lute called dutar in Turkmenistan.
Fossum, David
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IMPROVISATION AS AN INTERACTION OF PERFORMER AND LISTENER
Вестник Тамбовского университета. Серия: Гуманитарные науки, 2016 The creative process of improvisation as a type of communicative situation and the features of improvisator’s personality - musical talent, including the sense of musical rhythm, the possibility to operate at will by musical-acoustic performances, the ...
Yuriy Dmitrievich Sergin
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Exploration and Improvisation: The Use of Creative Strategies in Instrumental Teaching
International Journal for Cross-Disciplinary Subjects in Education, 2010 In music lessons there are still predisposition to adopt some educational practices, where the teaching is still centered in the teacher, and the student is there to “imitate” and learn the music exercises brought into class. By doing so the teacher is neglecting the student musical development as there is a unidirectional skill transfer, and the ...
Moreira, Lídia, Carvalho, Sara
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Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2019 The personality oriented concept of students’ musical thinking development in higher educational institutions of art is analyzed in the article. Planning of educational process with the regularities of development and the individual self-development ...
Olena Pikhtar
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CONCERTUL NR.2 PENTRU PIAN ŞI ORCHESTRĂ DE V.POLEACOV: ASIMILAREA TRADIŢIILOR GENULUI
Studia Universitatis Moldaviae: Stiinte Umanistice, 2010 The article is dedicated to the genre of instrumental concert and, especially, to creative works of D.Fedov, the representative of national composition school of the XX century's 2nd part. The attention is fixed on Concerto Nr.2 for piano and symphonic
USM ADMIN
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European Musical Didactic Traditions – Comparative Analysis Between Romania and Italy
Studia Universitatis Babeş-Bolyai. MusicaThis article delves into the evolution and diversity of musical didactic traditions across Europe, with a special focus on Romania and Italy, underscoring how technological, social, and cultural changes have shaped music education over centuries.
Maria Alice BĂLAN +1 more
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Building Mobile Instruments for Improvised Musical Performance
, 2013 This paper explores an approach to building electronic musical instruments for use in improvised music that I have found to be particularly effective for developing flexible, dynamic, and versatile instruments well adapted to the improvised context, and a resultant set of suites of solo improvised character pieces.
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Instrumental intentionality: an exploration of mediated intentionality in musical improvisation [PDF]
International Journal of Performance Arts and Digital Media, 2018 This paper examines the musician/instrument relationship through exploring notions of mediated intentionality. Ihde’s [1990. Technology and the Lifeworld. Bloomington: Indiana University Press] writings are taken as a starting point for examining these human– technology relationships with a particular focus on the intentionality of the human-instrument
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