Results 281 to 290 of about 5,492,835 (336)
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Journal of Consumer Culture, 2023
How do omnivorous consumers perceive co-creation in cultural consumption? In this article, we combine observation data on co-created cultural productions, focus groups and field interviews to investigate omnivorous consumers’ perceptions of artistic ...
Michele Bonazzi +2 more
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How do omnivorous consumers perceive co-creation in cultural consumption? In this article, we combine observation data on co-created cultural productions, focus groups and field interviews to investigate omnivorous consumers’ perceptions of artistic ...
Michele Bonazzi +2 more
semanticscholar +1 more source
Interactive visualization literacy: The state-of-the-art
Information Visualization, 2022With the advent of novel visualization techniques to convey complex information, data visualization literacy is growing in importance. Two facets of literacy are user understanding and the discovery of visual patterns with the help of graphical ...
Elif E. Firat, Alark Joshi, R. Laramee
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Art, Interaction and Engagement
2011 15th International Conference on Information Visualisation, 2011This paper reviews the development of frameworks for thinking and talking about interactive art in the context of my personal practice over the last forty years. It traces a number of paths taken, from an early simple direct notion of interaction through to communication between people through art systems and, more recently, interactive art for long ...
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Interactive Experience Art in Exhibition
2020The development of digital media technology provides more possibilities for the expression of information. For example, the visualization technology of information can transform complex intangible cultural content information into intuitive and understandable pictures.
Xueying Niu, Yuelin Liang
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Evoking gesture in interactive art
Proceedings of the 3rd ACM international workshop on Human-centered computing, 2008In this paper, we describe an interactive artwork that uses large body gestures as its primary interactive mode. The artist intends the work to provoke active reflection in the audience by way of gesture and content. The technology is not the focus, rather the aim is to provoke memory, to elicit feelings of connective human experiences in a required-to-
Ann Judith Morrison +2 more
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Intelligent interaction in art systems
Proceedings of the 9th international conference on Intelligent user interfaces, 2004Artists work with computers and digital media in order to create artworks in complex and varied ways. Collaboration between technologists and artists frequently creates new forms of interaction between artist and computer: it also promotes interaction between technologists and artists.
Ernest A. Edmonds, Greg Turner
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Digital arts and interaction (invited)
CHI '11 Extended Abstracts on Human Factors in Computing Systems, 2011This SIG proposal, sponsored by the CHI Design Community, looks at the intersection and cross-fertilization between HCI, and Digital and Performance Arts. We consider how the exploration of engaging and meaningful artistic experience can further push the boundaries of HCI research and practice and how tool use and models of evaluation can be explored ...
David England +7 more
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Approaches to interactive art systems
Proceedings of the 2nd international conference on Computer graphics and interactive techniques in Australasia and South East Asia, 2004Artists work with computers and visual interaction in order to create artworks in complex and varied ways. Collaboration between technologists and artists frequently creates new forms of interaction and visualization: it also promotes thinking about new ways of programming such systems.
Ernest A. Edmonds +2 more
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