Results 261 to 270 of about 25,118 (316)

Interactive Portrait Art

2008 IEEE Workshop on Applications of Computer Vision, 2008
Traditionally, enjoying a portrait art, e.g. the Mona Lisa, is a passive activity. The spectator merely views the painting and admires the brush strokes, composition, etc. But now, with real-time computer vision and graphics algorithms, we can inject interactivity into portrait art, thereby bringing these art works back to life and giving a new ...
Ye Ning, Terence Sim
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Interactive and informative art

IEEE Multimedia, 2003
The author discusses computers and art and also relates art and science. He considers multiple viewpoints and ambient media. Even the humble, ancient technology of paper has more fidelity than the most advanced display hardware.
D.D. Seligmann, K. Walker
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Interactive Art: The Art That Communicates

Leonardo, 2009
This paper highlights the intrinsic communication in interactive art. The authors propose knowledge discovery or data mining as a technique to measure the communication between the spectator and the intelligent interactive artwork. Due to the nature of interactive art, this aspect of technology is an essential part to integrate the artist's ...
Chee-Onn Wong, Keechul Jung, Joonsung Yoon   +2 more
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Aesthetics and interactive art

Proceedings of the 5th conference on Creativity & cognition - C&C '05, 2005
As a practice, interactive art is by now well-established: it is not mainstream, to be sure, but a recognizable genre. It is a genre that's been developing for about fifty years. That development has depended both on technological advances in Artificial Intelligence and Human-Computer Interfaces and on 'internal' aesthetic principles.
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On the beauty of interactive art

International Journal of Arts and Technology, 2008
Nowadays, aesthetics and the notion of beauty play an increasingly significant role in interactive art and design products and, consequently, in scientific research in these fields. This paper outlines a rudimentary theory for the notion of the beauty in interactive art.
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Interaction in multimedia art

Knowledge-Based Systems, 2000
In this paper, a concise overview and theoretical framework to describe various flows of physical interaction in multimedia art is presented based on research mainly carried out in the field of Human–Computer Interaction. Multimedia art forms include live electronic music, video art, installations, etc.
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Art, Interaction and Engagement

2011 15th International Conference on Information Visualisation, 2011
This paper reviews the development of frameworks for thinking and talking about interactive art in the context of my personal practice over the last forty years. It traces a number of paths taken, from an early simple direct notion of interaction through to communication between people through art systems and, more recently, interactive art for long ...
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Interactive Experience Art in Exhibition

2020
The development of digital media technology provides more possibilities for the expression of information. For example, the visualization technology of information can transform complex intangible cultural content information into intuitive and understandable pictures.
Xueying Niu, Yuelin Liang
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Evoking gesture in interactive art

Proceedings of the 3rd ACM international workshop on Human-centered computing, 2008
In this paper, we describe an interactive artwork that uses large body gestures as its primary interactive mode. The artist intends the work to provoke active reflection in the audience by way of gesture and content. The technology is not the focus, rather the aim is to provoke memory, to elicit feelings of connective human experiences in a required-to-
Ann Judith Morrison, Peta Mitchell, Stephen Viller   +2 more
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Intelligent interaction in art systems

Proceedings of the 9th international conference on Intelligent user interfaces, 2004
Artists work with computers and digital media in order to create artworks in complex and varied ways. Collaboration between technologists and artists frequently creates new forms of interaction between artist and computer: it also promotes interaction between technologists and artists.
Ernest A. Edmonds, Greg Turner
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