The Semiotics of Clothes in the Paintings of Mohammad Siah Qalam based on the Views of Roland Barthes [PDF]
نگرهMohammad Siah Qalam's paintings can be examined due to the focus on displaying all kinds of clothes. The clothing system was proposed as one of the symbolic elements by Roland Barthes.
Zeynab Karimi babaahmadi +1 more
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The Visual Representation of Human in Islamic Art A Critique on the Book The Human Figure in Islamic Art [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2021 From ancient times to the present, the concept of Representation is one of the intrinsic components of Art, and it is considered as an essential element in human definition and perception of Art.
Leila Ghaffari, Jamal Arabzadeh
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The Subject of the Paintings by Reza Badrossama [PDF]
Jilvah-i hunar, 2019 From the beginning of human life, for the sake of the spiritual and intuitive aspect of his existence, he considered various things. All of which are expressed under the general name of culture and under art and literature collections.
nahid jafari dehkirdi
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Analytical study of geometric motifs in Zahak dreaming picture in Tahmasebi Shahnameh [PDF]
پیکره, 2021 Problem definition: Tahmasebi Shahnameh is an exquisite manuscript of Ferdowsi Shahnameh which belongs to the tenth century AD. This edition contains 258 paintings of the legends, myths, epic poems and stories of Shahnameh in 1200 pages, illustrated by ...
Sahar Zekavat, Khashayar Ghazizadeh
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Reflection of Iranian Religion, History, Politics, and Culture in Qutb Shahi Falnama of Deccan [PDF]
پیکره, 2022 Problem Definition: The era of the Qutb Shahi dynasty in the Deccan is one of the top periods of Iranian culture outside its geographical borders. Due to being of Iranian origin and Shiite, the Qutb Shahi dynasty had a notable tendency towards Iranian ...
Elham Asar Kashani +2 more
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Iconology of Beloved Hand in Flower and Bird Miniature [PDF]
هنرهای زیبا. هنرهای تجسمیIn Iranian cultural society, the rose and the nightingale symbolize lovers. The rose and bird, or rose and nightingale, are integral to Persian painting, with roots traceable to pre-Islamic times. This combination has been examined as a symbol.
Muhammad savari
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Analysis of the symbolic role of flowers and chickens by the mythological method of Zilber and with artistic examples of Safavid to Qajar period [PDF]
هنر اسلامی, 2022 The narration of flowers and chickens could be analyzed by the Panofsky iconology method. But here we are dealing with a motif that clearly does not deal with a particular story or event.
Salar Hasanzadeh +2 more
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Imitation in Judeo-Persian Illustrated Manuscripts of Iranian-Islamic Paintings: A Case Study of the Ardeshir-Nama [PDF]
هنرهای زیبا. هنرهای تجسمیIllustrated versions of the Ardeshir-Nama are the origin of the illustrations by Iranian Jews and are an aesthetic reflection of the art of the second Safavid period. The issue is the illustration of Iranian Jews, which violated the prohibition of images
Fariba Azhari, Mehdi Mohammadzadeh
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Visualizing Kingship in a Time of Change
Manazir Journal, 2023 Despite artistic engagement with photography in Iran almost immediately after the invention of the daguerreotype in 1839, the field of Islamic art history has had difficulty accepting the modern period and the medium of photography as part of its ...
Mira Xenia Schwerda
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Aesthetics; Lighting and Color in Set Design for Islamic Wisdom Themed TV Programs [PDF]
نگره, 2023 Had television emerged in Eastern lands like Iran, it would have undoubtedly had different aesthetic characteristics today. Cinema and television are modern amalgamations of the European traditions of art forms such as painting, fiction, music, theater ...
Niloofar Seraji, Hasan Bolkhari Qehi
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