Imagination of Tehran: Study of "Mindscape of the City" through 1340s and 1350s Iranian Cinema [PDF]
This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the main question is that what kind of representation on city was fueled by cinema. This study was conducted based on analysis of four impressive films in these
Azam Ravadrad, Baharak Mahmoodi
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Abbas Kiarostami and Film-Philosophy, by Mathew Abbott
Mathew Abbott’s book, beautifully adorned with a now iconic still from The Wind Will Carry Us (Bād mā rā khāhad bord, 1999), explores the late Iranian filmmaker Abbas Kiarostami’s later films through the framework of film-as-philosophy.
Kelly Houck
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Transformation of Values, Identities & Life Styles at Iranian Society in Cinema Narration [PDF]
This article is to do a sociologically analysis on transformation of values, Identities and life styles at Iranian post Islamic revolution society in cinema narrations.
Jamal Mohammadi, Abdollah Bicheranlo
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A Study of the Cultural Diplomacy of the Islamic Republic of Iran in International Film Festivals [PDF]
Holding film festivals that are held every year with a specific title and theme around the world provide special opportunities for participants from host and guest countries.
Ali Rahimi +2 more
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Abstract Organic residue analysis was conducted on various vessels from burials at Tel Yehud, Israel. The analyses led to new reliable evidence for the presence of opioid alkaloids and their decomposition products. This research revitalizes a decades‐old discussion on the presence and function of the opium trade across a cultural region of utmost ...
Vanessa Linares +5 more
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Postmodern Discourse and Iranian Cinema (Case Study: the Movie âThe Empty Chairâ) [PDF]
IntroductionPostmodernism literally means an era beyond modernism in the West associated with the late capitalist economy, consumer society and post-industrial society. Postmodernism emerged in architecture and crystalized in philosophy, music, painting,
ehsan aqababaee, Ali ghanbari Barzian
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The Male Gaze in Iranian Cinema: A Social Problem [PDF]
IntroductionThis study explored the concept of the male gaze within Iranian cinema. Historically, cinema in Iran, similar to many other regions, has been largely shaped by male perspectives, often depicting women as objects of male desire.
Ehsan Aqababaee +2 more
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Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900.
Hossein (Hemen) Heidari
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“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality [PDF]
This article explores the emergence of the internet as an alternative sphere of musical circulation, focusing on the case of Iran and specifically certain kinds of music for which the internet has become the primary arena of musical sociality, in some ...
Nooshin, L.
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Investigating female subject in discoursal atmosphere of Iran´s cinema (Discourse analysis of Leila, Two Women, and Separation of Nader from Simin) [PDF]
The role of media in today´s world is undeniable and no border can be imagined for information transfer. Among these, one controversial issue in the media is gender and women.
Ahmad Bokharaei +2 more
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