A Study of the Cultural Diplomacy of the Islamic Republic of Iran in International Film Festivals [PDF]
Holding film festivals that are held every year with a specific title and theme around the world provide special opportunities for participants from host and guest countries.
Ali Rahimi +2 more
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Iranian Women, Iranian Cinema: Negotiating with Ideology and Tradition [PDF]
This is the published version, made available with the permission of the publisher. Copyright 2015, University of Nebraska, Omaha.Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and ...
Moradiyan-Rizi, Najmeh +1 more
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Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900.
Hossein (Hemen) Heidari
doaj +1 more source
Investigating female subject in discoursal atmosphere of Iran´s cinema (Discourse analysis of Leila, Two Women, and Separation of Nader from Simin) [PDF]
The role of media in today´s world is undeniable and no border can be imagined for information transfer. Among these, one controversial issue in the media is gender and women.
Ahmad Bokharaei +2 more
doaj +1 more source
The Function of Androgyny as a Mask in the Characterization of the Female Characters in the Iranian Cinema: A Study of the Movies of "The Blue Scarf" and "Transit Café" [PDF]
Sexual identity, as a culture based issue, can be regarded as a founding stone for many social inequalities. People (no matter men or women) have to borrow some features of the opposite sex in order to get along with some imposed situations of its ...
Behrooz Mahmoodi Bakhtiari, Aniss Naseri
doaj +1 more source
In Bali, Islamic performing arts have long bridged relations between Muslim minority communities and the puri royal courts, shaped by trade, intermarriage, and mutual coexistence.
I Ketut Sariada +2 more
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Representation of women and intra family relationships in Iranian movies of 2000s [PDF]
Family is a widespread social institution through which the early universe and its phenomena are understood. It seems that family and intra family relationships has changed these years and has taken a new form.
Ehsan Aqababaee +1 more
doaj +1 more source
Evaluating the Social Role of Women in Iranian Cinema (2011-2017) [PDF]
Cinema, as a medium that has gained a solid standing amongst popular institutions, can be analyzed and explored in addition to artistic aspects, such as sociology.
Sepideh Amiri, Fathollah Zare Khalili
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Discourse analysis of The Wedlock movie by focusing on the stigma of the contrast of tradition and modernity [PDF]
When faced with changes, communities always show resistance. Facing the modern world as a large change is not an exception. Some new traditions emerging from the modern world, regardless of the positive and negative valuations, due to not being aligned ...
Mahvash Khademolfogharaei +1 more
doaj +1 more source
This research investigates the concept of distraction in Iranian cinema that oscillates between cinema studies, visual studies, and urban history, focusing on the documentary-experimental film Tehran, Conceptual Art (Mohammad Reza Aslani, 2012).
Sajad Sotoudeh +2 more
doaj +1 more source

