Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan
Storia delle Donne, 2015 Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how
Anna Vanzan
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Government and Cinema in France: How to Stand Up against American Cinema [PDF]
Taḥqīqāt-i Farhangī-i Īrān, 2008 Cinema is the most influential cultural instrument in the contemporary world. The seventh art first brought culture in theaters and then in homes by T.V. and modern audio – visual devices.
Hojatollah Ayoobi
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Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source
Exploring Iranian Daily Life by Analysing Iranian Cinema [PDF]
, 2021 My PhD thesis explores Iranian urban daily life by analysing Iranian cinema. Many scholars from different perspectives have focused on Iranian society in various political, social and cultural fields, although less attention is still being paid to ...
Moghimi, Habib Allah
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Examining the Idea of Time based on the Opinions of Gilles Deleuze in the Iranian Cinema of the 90s (with Case Analysis of Movies: Fish and Cat, Enter the Dragon! and The Ridiculous) [PDF]
حکمت و فلسفه, 2023 Gilles Deleuze can undoubtedly be considered one of the most important philosophers and theorists of cinema. In the 1980s, Deleuze wrote two volumes of cinema books, which established the main directions of cinema philosophy as a separate discipline in ...
raouf sarbakhsh, reza sarbakhsh
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Abbas Kiarostami and Film-Philosophy, by Mathew Abbott
Alphaville: Journal of Film and Screen Media, 2018 Mathew Abbott’s book, beautifully adorned with a now iconic still from The Wind Will Carry Us (Bād mā rā khāhad bord, 1999), explores the late Iranian filmmaker Abbas Kiarostami’s later films through the framework of film-as-philosophy.
Kelly Houck
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A Social History of Iranian Cinema
Journal of Religion & Film, 2016 This is a book review of A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941 (Durham: Duke University Press, 2011); A Social History of Iranian Cinema , Volume 2: The Industrializing Years, 1941-1978 (Durham: Duke University Press,
Petersen, Kristian
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The Male Gaze in Iranian Cinema: A Social Problem [PDF]
Strategic Research on Social ProblemsIntroductionThis study explored the concept of the male gaze within Iranian cinema. Historically, cinema in Iran, similar to many other regions, has been largely shaped by male perspectives, often depicting women as objects of male desire.
Ehsan Aqababaee +2 more
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Review of Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
, 2020 Michelle Langford, Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. London: Bloomsbury Publishing, 2019. xiii + 278 pp.
Taymoorzadeh, Negar
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Postmodern Discourse and Iranian Cinema (Case Study: the Movie âThe Empty Chairâ) [PDF]
جامعه شناسی کاربردی, 2016 IntroductionPostmodernism literally means an era beyond modernism in the West associated with the late capitalist economy, consumer society and post-industrial society. Postmodernism emerged in architecture and crystalized in philosophy, music, painting,
ehsan aqababaee, Ali ghanbari Barzian
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