A Study on the Tradition of Copying in Iranian Painting of the Transition Period based on the Concept of “Appropriation” [PDF]
نگره, 2023 Periods of Iranian painting, including realistic and academic painting, were postponed after the advent of modern painting in Iran. Copying the works of their predecessors, which was one of the prominent methods of these masters of painting, was highly ...
Ekram(noura) Goudarzi, Taher Rezazadeh
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Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [PDF]
نگره, 2016 The Cypress tree is a symbolic element often used both in Persian literature (poetry) and Persian iranian painting. The main concern of this study is to find a relationship between the element of Cypress tree as used in the Persian literature and in ...
Niloofar Zandi, Fatemeh Safiri
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The Saqqa-khaneh Calligraphy-Painting Movement in Iran
BRAC, 2021 This article aims to describe the Saqqa-khaneh calligraphy-painting movement in Iran. This School was a significant movement in modern Iranian art that became influential in the formation of a modern approach toward prevailing traditional heritage. This
Saeid Zakeri
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A Comparative Comparison of the Images of the Demons by Mohammad Siah Qalam with Iranian Paintings (Miraj-nameh and Khavaran-nameh) [PDF]
هنر اسلامی, 2020 Throughout the history of Iranian painting, prominent figures have emerged that each had a significant role in the advancement of Iranian painting. Renowned painters such as Kamal-al Din Behzad, Sultan Mohammad, Reza Abbasi among others are notorious ...
Mohammadreza Khabiri
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Relationship between the Representative Aspects of Kamal-ol-Molk Style and 1380s and 1390s Iranian Painting Based on Wolfflin's Stylistic System [PDF]
پیکره, 2022 Problem Definition: Following the decline of the hegemony of modernism from the late 1370s, representational painting in Iran became the main focus of the painting productions of the 1380s and 1390s.
Hojat Allah Saadatfar
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A Reading of Coffee House Painting and Murals of Isfahan School Based on the Concept of Conversation in Gadamer's Modern Hermeneutic Theory [PDF]
نگره, 2023 With the beginning of the constitutional movement and social changes, a new chapter in the history of Iranian painting was opened. The history of Iran after constitutionalism was full of conflicts between tradition and modernity, and the idea of ...
Elham Taherian +2 more
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Iranian Painting, A Government Multi-Purpose Media (Case Study: Safavid Period Garden Painting)
پیکره, 2022 Problem Definition: As a multifaceted medium, garden paintings have included the social structure and power relations of the Safavids. The scientific challenge of the current research is to identify the ideology of the Safavid government in the hidden textual layers of garden paintings, the components related to symbolism, and Iranian culture in the ...
Nouri, Soniya +3 more
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“Nature”, the Manifestation of Sacred Place in Persian Painting Reflection of the Iranian Archetypes of "Land" and "Mountain" in Persian Painting With the Help of Mircea Eliade's Views [PDF]
نگره, 2018 Landscape painting in Iran, is part of the narrative and literary context, but it has a particularly influential and distinctive look, which takes a particular look at nature and has a symbolic aspect. In one general principle of Persian painting, spring
Maliheh Imaneian Najafabadi +1 more
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Role of women painters in the restoration and preservation of miniature in contemporary painting in Iran (in the last four decades) [PDF]
پیکره, 2020 Despite the pervasiveness of modern visual arts principles, as well as diverse styles and techniques that are rapidly spreading in the world, Iranian painting (miniature) carries out both actual and potential visual and expressive functions.
Reza Rafiei Rad +3 more
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Formulation of the Seven Principles of Iranian Art A Critique of the Book Seven Decorative Principles of Iranian Art [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2022 This article, which is a descriptive and analytical research and its qualitative data has been collected through the research method of libraries, has been organized with the aim of studying the stylistic developments of Iranian art after the Mongol ...
Alireza Taheri, Roya Zarifian
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