Analysis of Representation of Traditionalist Approach in the Iranian Calligraphic Painting in the 2000s [PDF]
نگره, 2015 Iranian calligraphic painting in the 2000s is under the influence of the traditionalist approach. This approach refers to movements which orientation is mostly return to traditions to revive self-identity.
Javad Alimohammadi Ardakani +1 more
doaj +1 more source
Historical Analysis of Afghan Painting from Prehistoric Times to the Beginning of Amani Reforms [PDF]
هنر و تمدن شرق, 2022 Afghanistan is a country in the Islamic world, as well as Iran’s civilization domain, which is of special importance both politically and culturally. Historical texts and ancient excavations from the reign of Shah Amanullah Khan and then in different ...
Reza Rafiei Rad +1 more
doaj +1 more source
“Tabula Rasa” planning: creative destruction and building a new urban identity in Tehran [PDF]
, 2017 The concept of Tabula Rasa, as a desire for sweeping renewal and creating a potential site for the construction of utopian dreams, is presupposition of Modern Architecture.
Mehan, Asma
core +4 more sources
Investigating the Effect of Iranian Miniature Painting on Contemporary Miniature of Pakistan (2021-1947 AD) [PDF]
نگرهWith the presence of Iranian artists in the court of the Mughal rulers in the subcontinent from 1549 AD, a new form of mughal painting was created, combining two Hindu-Persian styles, which has left significant works.
zohra pirzada +3 more
doaj +1 more source
Analyzing the Capabilities of Narration in the Illustrations of Scientific-educational Books of the A and B Age Groups (Focusing on the Books of the 90s of Hijri in Iran) [PDF]
نگرهUnderstanding the relationship between text and image includes: 1. Choosing a scientific topic 2. Introduction of child audience groups (age groups A and B) 3.
Parviz Eghbali +2 more
doaj +1 more source
The Semiotics of Clothes in the Paintings of Mohammad Siah Qalam based on the Views of Roland Barthes [PDF]
نگرهMohammad Siah Qalam's paintings can be examined due to the focus on displaying all kinds of clothes. The clothing system was proposed as one of the symbolic elements by Roland Barthes.
Zeynab Karimi babaahmadi +1 more
doaj +1 more source
Reflection of Religious and Cultural Beliefs of the Safavid Era in the Symbolism of the Paintings of Ibrahim Mirza’s Haft Awrang (with Emphasis on the Two Stories "Yusuf and Zuleykha" and "Leily and Majnoon") [PDF]
نگره, 2023 Symbolism is a cryptic and effective way of conveying meaning, handled by Iranian painters in different periods. During the Safavid period, the use of symbolic elements became more prominent with the recognition of the Shiite religion and the tendency of
Zohreh Taher +2 more
doaj +1 more source
The Challenge Inside and Outside in Iranian Painting According to Derrida’s Reading of Kant’s [PDF]
Rahpūyah-i Hunar, 2019 mohammadreza khanzad, Mohammad Shokri
exaly +2 more sources
A study of unusual elements in the paintings of the great Ilkhanid Shahnameh [PDF]
نگره, 2017 Great Ilkhanid Shahnameh is the beginning of a great movement of Iranian painting. However, the Shahnameh has seen several changes over time and identify these changes will enable researchers to prevent incorrect interpretation on this work and the ...
Asghar Javani +2 more
doaj +1 more source
Identifying Visual and Graphic Arts Affecting the Murals of Religious Monuments of Qajar Era (Case Study: Moaven-Al Molk’s Tekiye of Kermanshah) [PDF]
هنر اسلامی, 2022 Murals are considered as alternative for beautifying the architectural facade in the Qajar era. Therefore tiling as one of the main decorations of Iranian and Islamic architecture can be seen in most religious monuments such as Tekiyes, and Moaven-Al ...
Atieh Youzbashi +2 more
doaj +1 more source