A Comparison of Structure and Concept in Paintings Based on The story of the Zamen-e Ahou [PDF]
پیکره, 2021 Problem Definition: Zamen Ahoo is one of the valuable Shiite narrative themes that has been the basis for the creation of works in the field of visual arts in Iran.
Hojat allah Hasanvand +3 more
doaj +1 more source
Iranian Painting, A Government Multi-Purpose Media (Case Study: Safavid Period Garden Painting)
پیکره, 2022 Problem Definition: As a multifaceted medium, garden paintings have included the social structure and power relations of the Safavids. The scientific challenge of the current research is to identify the ideology of the Safavid government in the hidden textual layers of garden paintings, the components related to symbolism, and Iranian culture in the ...
Nouri, Soniya +3 more
openaire +3 more sources
Investigating the Effect of Iranian Miniature Painting on Contemporary Miniature of Pakistan (2021-1947 AD) [PDF]
نگرهWith the presence of Iranian artists in the court of the Mughal rulers in the subcontinent from 1549 AD, a new form of mughal painting was created, combining two Hindu-Persian styles, which has left significant works.
zohra pirzada +3 more
doaj +1 more source
The Challenge Inside and Outside in Iranian Painting According to Derrida’s Reading of Kant’s [PDF]
Rahpūyah-i Hunar, 2019 mohammadreza khanzad, Mohammad Shokri
exaly +2 more sources
Analyzing the Capabilities of Narration in the Illustrations of Scientific-educational Books of the A and B Age Groups (Focusing on the Books of the 90s of Hijri in Iran) [PDF]
نگرهUnderstanding the relationship between text and image includes: 1. Choosing a scientific topic 2. Introduction of child audience groups (age groups A and B) 3.
Parviz Eghbali +2 more
doaj +1 more source
Oil Nationalisation and Managerial Disclosure: The Case of Anglo-Iranian Oil Company, 1933-1951 [PDF]
, 2010 The principal aim of this thesis is to contribute towards the understanding of the Anglo-Iranian Oil Company (AIOC, now British Petroleum) practices in Iran and thereby providing a clear picture of how nationalisation evolved on 1st May 1951 and how it ...
Abdelrehim, Neveen
core +6 more sources
Historical Analysis of Afghan Painting from Prehistoric Times to the Beginning of Amani Reforms [PDF]
هنر و تمدن شرق, 2022 Afghanistan is a country in the Islamic world, as well as Iran’s civilization domain, which is of special importance both politically and culturally. Historical texts and ancient excavations from the reign of Shah Amanullah Khan and then in different ...
Reza Rafiei Rad +1 more
doaj +1 more source
The Semiotics of Clothes in the Paintings of Mohammad Siah Qalam based on the Views of Roland Barthes [PDF]
نگرهMohammad Siah Qalam's paintings can be examined due to the focus on displaying all kinds of clothes. The clothing system was proposed as one of the symbolic elements by Roland Barthes.
Zeynab Karimi babaahmadi +1 more
doaj +1 more source
A study of unusual elements in the paintings of the great Ilkhanid Shahnameh [PDF]
نگره, 2017 Great Ilkhanid Shahnameh is the beginning of a great movement of Iranian painting. However, the Shahnameh has seen several changes over time and identify these changes will enable researchers to prevent incorrect interpretation on this work and the ...
Asghar Javani +2 more
doaj +1 more source
Reflection of Religious and Cultural Beliefs of the Safavid Era in the Symbolism of the Paintings of Ibrahim Mirza’s Haft Awrang (with Emphasis on the Two Stories "Yusuf and Zuleykha" and "Leily and Majnoon") [PDF]
نگره, 2023 Symbolism is a cryptic and effective way of conveying meaning, handled by Iranian painters in different periods. During the Safavid period, the use of symbolic elements became more prominent with the recognition of the Shiite religion and the tendency of
Zohreh Taher +2 more
doaj +1 more source