Analytical study of geometric motifs in Zahak dreaming picture in Tahmasebi Shahnameh [PDF]
پیکره, 2021 Problem definition: Tahmasebi Shahnameh is an exquisite manuscript of Ferdowsi Shahnameh which belongs to the tenth century AD. This edition contains 258 paintings of the legends, myths, epic poems and stories of Shahnameh in 1200 pages, illustrated by ...
Sahar Zekavat, Khashayar Ghazizadeh
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Echoes of the literary text narrative in a tree image in Herat school of painting [PDF]
پیکره, 2020 Problem definition: The mystical life, larger sizes, long life, death and life renewal, have caused the tree to have different meanings and sometimes even in ancient times to be sanctified as a mediator between human being and God and introduced as a ...
Reza Rafiei Rad
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Asian knowledge and the development of calico printing in Europe in the seventeenth and eighteenth centuries [PDF]
, 2010 From the seventeenth century, the brilliance and permanence of colour and the exotic nature of imported Asian textiles attracted European consumers.
Riello, Giorgio
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An Investigation into Transformation of Portraiture in Iranian Miniature Painting till Safavid Era [PDF]
نگره, 2012 Iranian Moslem painters have observed the divinely world through the world beauties; aimed at finding out the worldly instances and understanding the eternal realities.
Mohammad Kazem Hassanvand +1 more
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Sophia οf the Earth: Paintings of Shiraz-Behbahan School from Henry Corbin’s Phenomenological-Hermeneutical Point of View Referring to the Mazdeic Texts [PDF]
Journal of Philosophical Investigations, 2023 Focusing on five symbolic painting works from Golchin Asha’r of the Shiraz-Behbahan school dating back to 1398, the current study attempts to approach the world of meaning of these works in light of Henry Corbin’s Phenomenological-Hermeneutical thought ...
Monireh Panjtani, Mahdi Mohammadzadeh
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West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
پژوهشهای تاریخی ایران و اسلام, 2017 The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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The Concept of Death in John Donne and Sohrab Sepehri: A Comparative Study [PDF]
, 2017 Death has always permeated human’s thoughts at all levels. This preoccupation with death is manifested in the realm of literature. John Donne is one of the artists whose obsession with death is universally recognized.
Behnam Mirzababazadeh Fomeshi
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Influences of Painting Basics and Cultural Factors in Type of Background's and Foreground's Composition in Photography of Qajar Era[1] [PDF]
Jilvah-i hunar, 2016 Qajar Era[1] Photography entered Iran with a time difference of three years after its invention in Europe, at the time of Qajar dynasty (1842 A.D. / 1258 A.H.) and grew with the growth of this dynasty. Photography needed a proper context at the beginning
R. Afhami Afhami Afhami +1 more
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Examination of Visual Shia Symbols in the Iranian Teahouse Paintings
پیکره, 2016 As one of the artistic forms deep-rooted in society, the Iranian teahouse paintings were created by painters who often had no academic education. Each one of these painters was expert in different fields such as tile making, plaster moldings, etc. In these paintings, one can see religious and non-religious themes painted as simple and unaffected as ...
Husseinabadi, Zahra +1 more
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an analytical-critical description of the concept of the Mundus Imaginalis or the Imaginal in the reading and interpretation of Iranian painting. [PDF]
حکمت و فلسفهWhich thinkers and with what interpretational purposes have put forward the concept of the imaginal in the reading of Iranian painting? What new possibilities have they opened up and what obstacles have they brought forth with the frequent reference to ...
Monireh Panjtani +3 more
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