Identifying Visual and Graphic Arts Affecting the Murals of Religious Monuments of Qajar Era (Case Study: Moaven-Al Molk’s Tekiye of Kermanshah) [PDF]
هنر اسلامی, 2022 Murals are considered as alternative for beautifying the architectural facade in the Qajar era. Therefore tiling as one of the main decorations of Iranian and Islamic architecture can be seen in most religious monuments such as Tekiyes, and Moaven-Al ...
Atieh Youzbashi +2 more
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An Investigation into Transformation of Portraiture in Iranian Miniature Painting till Safavid Era [PDF]
نگره, 2012 Iranian Moslem painters have observed the divinely world through the world beauties; aimed at finding out the worldly instances and understanding the eternal realities.
Mohammad Kazem Hassanvand +1 more
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Analytical study of geometric motifs in Zahak dreaming picture in Tahmasebi Shahnameh [PDF]
پیکره, 2021 Problem definition: Tahmasebi Shahnameh is an exquisite manuscript of Ferdowsi Shahnameh which belongs to the tenth century AD. This edition contains 258 paintings of the legends, myths, epic poems and stories of Shahnameh in 1200 pages, illustrated by ...
Sahar Zekavat, Khashayar Ghazizadeh
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Science Production in Iran: The Scenario of Iranian Medical Journals [PDF]
, 2009 In Iran, the number of published articles has increased significantly in the basic and applied sciences including medicine and its subspecialties during the recent years.
Aminpour, Farzaneh, Kabiri , Payam
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Echoes of the literary text narrative in a tree image in Herat school of painting [PDF]
پیکره, 2020 Problem definition: The mystical life, larger sizes, long life, death and life renewal, have caused the tree to have different meanings and sometimes even in ancient times to be sanctified as a mediator between human being and God and introduced as a ...
Reza Rafiei Rad
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West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
پژوهشهای تاریخی ایران و اسلام, 2017 The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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an analytical-critical description of the concept of the Mundus Imaginalis or the Imaginal in the reading and interpretation of Iranian painting. [PDF]
حکمت و فلسفهWhich thinkers and with what interpretational purposes have put forward the concept of the imaginal in the reading of Iranian painting? What new possibilities have they opened up and what obstacles have they brought forth with the frequent reference to ...
Monireh Panjtani +3 more
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Influences of Painting Basics and Cultural Factors in Type of Background's and Foreground's Composition in Photography of Qajar Era[1] [PDF]
Jilvah-i hunar, 2016 Qajar Era[1] Photography entered Iran with a time difference of three years after its invention in Europe, at the time of Qajar dynasty (1842 A.D. / 1258 A.H.) and grew with the growth of this dynasty. Photography needed a proper context at the beginning
R. Afhami Afhami Afhami +1 more
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Examination of Visual Shia Symbols in the Iranian Teahouse Paintings
پیکره, 2016 As one of the artistic forms deep-rooted in society, the Iranian teahouse paintings were created by painters who often had no academic education. Each one of these painters was expert in different fields such as tile making, plaster moldings, etc. In these paintings, one can see religious and non-religious themes painted as simple and unaffected as ...
Husseinabadi, Zahra +1 more
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نگره, 2021 The origin of Armenian art in Iran dates back to the Median and Achaemenid eras. After the forced migration of the Armenians to Iran by Shah Abbas, the Armenian artistic heritage of Nizi was transferred to a new place. The lands of Armenia and Iran have been adjacent and have been culturally and politically connected for many centuries, so the Armenian
Rafat Hosseiny nezhad, Nadia Maghuly
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