Explicating the Calligraphic Conventions in Tiraz Fabrics from the First to the Eighth Century AH in Iran [PDF]
پیکرهIntroduction: The advent of Islam in Iran brought about a profound transformation in Iranian thought and art, reshaping pre-Islamic values and themes.
Reyhaneh Eslami, Farhad Khosravi Bijaem
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Symbolic Manifestations of Nature in the Poetry and Paintings of the Fourth and Seventh Centuries AH. (With Emphasis on the Poetry of Manouchehri Damghani and Ghazals of Shams) [PDF]
هنر اسلامی, 2020 Symbolism as one of the tools of pictorial expression and transmission of concepts has brought many works of Iranian painting closer in form and meaning. On the other hand, the use of symbol is also considered as one of the literary arrays.
Shohreh Chelipa +2 more
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A Comparison of Structure and Concept in Paintings Based on The story of the Zamen-e Ahou [PDF]
پیکره, 2021 Problem Definition: Zamen Ahoo is one of the valuable Shiite narrative themes that has been the basis for the creation of works in the field of visual arts in Iran.
Hojat allah Hasanvand +3 more
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Analysis of Representation of Traditionalist Approach in the Iranian Calligraphic Painting in the 2000s [PDF]
نگره, 2015 Iranian calligraphic painting in the 2000s is under the influence of the traditionalist approach. This approach refers to movements which orientation is mostly return to traditions to revive self-identity.
Javad Alimohammadi Ardakani +1 more
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Historical Analysis of Afghan Painting from Prehistoric Times to the Beginning of Amani Reforms [PDF]
هنر و تمدن شرق, 2022 Afghanistan is a country in the Islamic world, as well as Iran’s civilization domain, which is of special importance both politically and culturally. Historical texts and ancient excavations from the reign of Shah Amanullah Khan and then in different ...
Reza Rafiei Rad +1 more
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Investigating the Effect of Iranian Miniature Painting on Contemporary Miniature of Pakistan (2021-1947 AD) [PDF]
نگرهWith the presence of Iranian artists in the court of the Mughal rulers in the subcontinent from 1549 AD, a new form of mughal painting was created, combining two Hindu-Persian styles, which has left significant works.
zohra pirzada +3 more
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Analyzing the Capabilities of Narration in the Illustrations of Scientific-educational Books of the A and B Age Groups (Focusing on the Books of the 90s of Hijri in Iran) [PDF]
نگرهUnderstanding the relationship between text and image includes: 1. Choosing a scientific topic 2. Introduction of child audience groups (age groups A and B) 3.
Parviz Eghbali +2 more
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Composition in Iranian Painting with Emphasis on the Theme and Principles of Visual Traditions [PDF]
Jilvah-i hunar, 2019 The concern of accurately representing the elements of the world around, in a work of art under the technical skill of the artist, sometimes repels the interaction between these elements for the sake of desirable generality.
ehsan zarei farsani, maryam ghasemi
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The Semiotics of Clothes in the Paintings of Mohammad Siah Qalam based on the Views of Roland Barthes [PDF]
نگرهMohammad Siah Qalam's paintings can be examined due to the focus on displaying all kinds of clothes. The clothing system was proposed as one of the symbolic elements by Roland Barthes.
Zeynab Karimi babaahmadi +1 more
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Reflection of Religious and Cultural Beliefs of the Safavid Era in the Symbolism of the Paintings of Ibrahim Mirza’s Haft Awrang (with Emphasis on the Two Stories "Yusuf and Zuleykha" and "Leily and Majnoon") [PDF]
نگره, 2023 Symbolism is a cryptic and effective way of conveying meaning, handled by Iranian painters in different periods. During the Safavid period, the use of symbolic elements became more prominent with the recognition of the Shiite religion and the tendency of
Zohreh Taher +2 more
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