Results 21 to 30 of about 1,024,609 (250)

War film as a political problem in Polish press 1945–1949 [PDF]

open access: yes, 2015
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Rachwald, Tomasz
core   +1 more source

Sciascia uomo di cinema

open access: yesBabel: Littératures Plurielles, 2023
The relationship between Leonardo Sciascia and cinema is multifaceted and inherently contradictory. This work touches upon two main trajectories in this relationship: Sciascia as a spectator and film reviewer, and the adaptation of Sciascian novels ...
Ermelinda M. Campani
doaj   +1 more source

La 'segnorina' neorealista tra melodramma e noir: La tratta delle bianche di Luigi Comencini

open access: yesAnnali Online dell'Università di Ferrara. Sezione Lettere, 2007
Italian critics of the early 50s labelled as "pink neo-realism" contemporary movies which tried to bring the aesthetics of the Italian Cinema of the Liberation back inside the boundaries of a more narrative and overtly mainstream cinema. Even though this
Francesco Di Chiara
doaj   +1 more source

Cesare Zavattini’s Poetics of Objectivity

open access: yesAnafora, 2020
Cesare Zavattini was an acclaimed neorealist screenwriter and a theorist of neorealism. He has played a pivotal role in the critical rethinking of the new postwar Italian cinema although many of his concepts were considered avant-garde for that period ...
Etami Borjan
doaj   +1 more source

Voglie matte, merli maschi, peccati veniali. La questione sessuale nel cinema popolare italiano dal miracolo italiano all'avvento del porno

open access: yesSchermi, 2021
Special issue on Italian popular cinema and sexuality.
Francesco Di Chiara   +10 more
doaj  

Eyewitnesses of History

open access: yesVIEW Journal of European Television History and Culture, 2015
The role of amateur cinema as archival material in Italian media productions has only recently been discovered. Italy, as opposed to other European countries, lacked a local, regional and national policy for the collection and preservation of private ...
Simoni, Paolo
doaj   +1 more source

Usi espressivi della forma-canzone nelle "original soundtrack" del fenomeno Checco Zalone: performance, visioni, immaginario e crossmedialità. Da "Angela" (2009) a "L'immunità di gregge" (2020)

open access: yesSchermi, 2022
Checco Zalone is one of the most important phenomena of Italian Cinema of the last decades. One of the constants of his cinema is the presence of the song-form, in particular of original songs (original soundtrack), used as a mean to transit from the ...
Luca Bertoloni
doaj   +1 more source

From made in Italy to etno-chic. Some thoughts on costume design in contemporary Italian cinema (class, gender and national identity) [PDF]

open access: yes, 2016
This article outlines an overview of the relationship between costume and film in contemporary Italian cinema, with particular reference to class, gender and ideological discourse.
Minuz, Andrea
core   +1 more source

Making a star on the small screen: The case of Mina and RAI [PDF]

open access: yes, 2014
© 2015 Intellect Ltd Article. English language. Anna Maria Quaini (née Mazzini), or Mina as she is more commonly known, is a prolific Italian pop singer who rose to fame in the late 1950s. She was particularly dominant from the mid-1960s to the mid-1970s,
Haworth, Rachel
core   +1 more source

Garibaldi e l'epopea garibaldina nel cinema muto italiano. Dalle origini alla I guerra mondiale

open access: yesStoricamente, 2011
The first film producted by an italian studio was "La presa di Roma - 20 settembre 1870" (Albertini & Santoni, 1905) and the Italian Risorgimento will continue to be one of the most favoured subjects of italian cinematography.
Giovanni Lasi
doaj   +1 more source

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