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Zagreb at the operatic crossroads in the 1860s: the winding road towards the national opera
During the 1860s, Zagreb did not have a steady operatic ensemble, although its preparatory stage was already in existence within the drama department of the National Theatre, when – from 1863 – operettas were performed by a small theatre orchestra ...
Vjera Katalinić
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Pierpaolo Polzonetti ITALIAN OPERA IN THE AGE OF THE AMERICAN REVOLUTIONCambridge: Cambridge University Press, 2011pp. xix+376,
Alessandro Di Profio
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Gianni Schicchi: Postcard from Morocco [PDF]
This is the concert program of the Boston University Opera Institute and Chamber Orchestra performance running February 10, 11, and 12 at 8:00 p.m. and February 13 at 5:00 p.m. at the Boston University Theatre, 264 Huntington Avenue.
School of Music, Boston University
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Boston University Chamber Orchestra, October 22, 2013 [PDF]
This is the concert program of the Boston University Chamber Orchestra performance on Tuesday, October 22, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Optimal energy management strategies for aggregators in renewable energy communities
First introduced in European directives and recently incorporated into the Italian legal framework, Renewable Energy Communities (RECs) are described as innovative organisations that can promote collaboration between active and passive users engaged in ...
Tommaso Robbiano +3 more
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Boston University Symphony Orchestra and Symphonic Chorus, April 7, 2008 [PDF]
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 7, 2008 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue.
School of Music, Boston University
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Mediated Translation between Italian and Russian Languages
La forza del destino was commissioned to Giuseppe Verdi by the St Petersburg Imperial Theatres in 1861, and premiered in November 1862, at the Bolshoy Kamenny Theatre.
Anna Giust
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The arrival of the Cid to the Italian opera: a buried irruption
The presence of young Rodrigo in the Italian opera houses over the 18th century offers different and interesting study possibilities. However, this article fixes its gaze on the first appearance of Guillem de Castro's materials in the Italian states ...
Miguel López Verdejo
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Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris
Donald Burrows
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This is the concert program of the Boston University Opera Institute and Boston University Chamber Orchestra performance of Die Fledermaus by Johann Strauss, running Thursday, April 18 to Saturday, April 2, 2002 at 8:00 p.m. and Sunday, April 21, 2002 at
School of Music, Boston University
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