Results 51 to 60 of about 208,053 (276)
Sign Systems Studies, 2002 Mechanisms of adaptation “to our (Russian) customs” of Italian opera librettos. The paper deals with the history of poetical translation of Italian musical poetry in the 18th century Russia.
Stefano Garzonio
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THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
doaj
“It Will Get Crowded, It Will Get Dull!”: Preventive Sensations of Density in Zurich's Future‐Making
City &Society, Volume 38, Issue 1, April 2026.ABSTRACT In Zurich, Switzerland's largest and wealthiest city, future planning around densification has been intensely debated in recent years, spurring referendums and direct democratic votes, and permeating the public discourse through governmental communication, political propaganda, and heightened media coverage.
Sabrina Stallone
wiley +1 more source
"The Medium" Fringe Festival 2002, November 1-3, 2002 [PDF]
, 2002 This is the concert program of the Boston University Opera Institute performance of "The Medium" with music and libretto by Gian Carlo Menotti, running Friday, November 1 and Saturday, November 2, 2002 at 6:30 p.m.
School of Music, Boston University
core
Mélanges de la Casa de VelázquezThe interest in Italian opera at the Portuguese court emerged long before the consolidated view of critical studies that have traditionally identified the beginning of the enjoyment and diffusion of Italian opera in Portugal with the reign of Joseph I ...
Giuseppina Raggi
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Health Science Reports, Volume 9, Issue 3, March 2026.ABSTRACT Background and Aims Patient and public involvement and engagement (PPIE) in research is crucial for producing knowledge that is meaningful to the participating community. Sharing PPIE principles into practical tools and strategies enriches the development of participatory research methodologies.
Francesca Moretti +15 more
wiley +1 more source
The Fall Fringe Festival: Bluebeard's Castle [PDF]
, 1999 This is the concert program of the Fall Fringe Festival performance of Bluebeard's Castle by Bela Bartok, with libretto by Bela Balazs, running Friday and Saturday, October 22 and 23, 1999 at 6:45 p.m. and Sunday, October 24 at 3:00 p.m.
School of Music, Boston University
core
, 2010 This chapter considers a complex of materials centred on the Alcestis of Euripides and its reception history as an opera (Lully, Gluck) in early modern France. The interest of this particular text is that its operatic setting by Lully generated a polemic
Wygant, A.
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Mussorgsky’s Boris Godunov in Italian: Analyzing the Influence of Michel Delines’ French Version
Translation Studies: Theory and PracticeThis article presents a brief history of Italian rhythmical translations of Modest Mussorgsky's libretto for his opera Boris Godunov, each apparently drawing on Michel Delines’ French version from 1908.
Anna Stetsenko
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Italiano LinguaDue, 2015 Il presente lavoro approfondisce, nelle sue pagine iniziali, il tema dell’italiano dei libretti d’opera inteso come vera e propria varietà linguistica e «ipercordice» del quale vengono esaminati in forma sintetica i tratti caratterizzanti di natura ...
Uberto Minghi
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