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OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS
Studies in Conservation, 2008AbstractThis paper describes the evaluation of the lighting policy that the National Museum of Ethnology in Leiden, Netherlands, developed for the display of its nineteenth-century Japanese woodblock prints. Colour measurements during one year on exhibition showed changes that exceeded the limit of one 'just noticeable change' in 50 years specified in ...
Agnes W. Brokerhof +6 more
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Interactive System for Character Segmentation of Woodblock-Printed Japanese Historical Book Images
2013 International Conference on Culture and Computing, 2013This paper proposes an interactive system for analyzing digitized woodblock-printed Japanese historical books. This system includes stain and smear removal, background separation, character line extraction, and character extraction by region labeling with integration and separation techniques.
Chulapong Panichkriangkrai +2 more
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2018 7th International Congress on Advanced Applied Informatics (IIAI-AAI), 2018
We have already developed an interactive system for analyzing and transcribing digitized Japanese historical woodblock-printed books, which has functions for layout analysis, character segmentation, transcription, and the generation of a character image database.
Chulapong Panichkriangkrai +4 more
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We have already developed an interactive system for analyzing and transcribing digitized Japanese historical woodblock-printed books, which has functions for layout analysis, character segmentation, transcription, and the generation of a character image database.
Chulapong Panichkriangkrai +4 more
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CONSERVATION WORK IN PROGRESS ON THE CLAUDE MONET COLLECTION OF JAPANESE WOODBLOCK PRINTS AT GIVERNY
Studies in Conservation, 1988*This table is taken from the author's thesis, 'Japanese papers (wash i) used in the conservation of western prints and drawings, study and critical analyses', Institut Francais de Restauration des Oeuvres d'Art, Paris, 1984. This thesis was based on the study, testing and comparison of 17 different Japanese papers, half of them available in Europe ...
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Journal of the American Institute for Conservation, 2017
As part of a project designed to systematically identify colorants on Japanese woodblock prints, excitation–emission matrix (EEM), or three-dimensional, fluorescence spectroscopy, equipped with a fiber optic probe, was used to characterize natural yellow and red organic colorants on 18th-century Japanese prints without taking samples.
Michele Derrick +2 more
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As part of a project designed to systematically identify colorants on Japanese woodblock prints, excitation–emission matrix (EEM), or three-dimensional, fluorescence spectroscopy, equipped with a fiber optic probe, was used to characterize natural yellow and red organic colorants on 18th-century Japanese prints without taking samples.
Michele Derrick +2 more
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Evolving Techniques in Japanese Woodblock Prints.
Monumenta Nipponica, 1979Oliver Statler +2 more
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Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection
2020In 1930, the Japanese artist Yoshida Hiroshi (1876–1950) spent several months travelling in India and Southeast Asia. After his return to Japan he produced a series of 32 woodblock prints inspired by his travels. A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the ...
Pollard, C, Kumbera Landrus, M
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2019
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868.
Eischen, MaryJane +2 more
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The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868.
Eischen, MaryJane +2 more
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2018
This descriptive study returned to the 22 participant institutions of the ASIANetwork / Luce Asian Art Consultancy program (2005–2008) to question the narrative of Japanese woodblock prints through the organization and accessibility of their collections.
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This descriptive study returned to the 22 participant institutions of the ASIANetwork / Luce Asian Art Consultancy program (2005–2008) to question the narrative of Japanese woodblock prints through the organization and accessibility of their collections.
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Plant Dye Identification in Japanese Woodblock Prints
Arnoldia, 2017Michele Derrick +2 more
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