Results 31 to 40 of about 3,156,590 (159)
Ukiyoe shunga: Stampe erotiche giapponesi di epoca Edo
Kervan. International Journal of Afro-Asiatic Studies, 2019 The term ukiyoe shunga (浮世絵春画, literally “erotic paintings of the floating world”) indicates all those woodblock prints and paintings with erotic allusions realized in Japan during the Edo period (1603-1868).
Eleonora Ala
doaj +1 more source
Plant Dye Identification in Japanese Woodblock Prints
Arnoldia, 2017 (Uploaded by Plazi from the Biodiversity Heritage Library) No abstract provided.
Derrick, Michele +2 more
openaire +2 more sources
Medical, Anatomical, and Visual Transformations in the Japanese Woodblock Prints of the Edo and Meiji Periods (1603 - 1912) [PDF]
, 2019 “Medical, Anatomical, and Visual Transformations in the Japanese Woodblock Prints of the Edo and Meiji Periods” first presents one of Japan’s lesser known genres of woodblock print.
Bennett, Victoria
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Stylistic Multi-Task Analysis of Ukiyo-e Woodblock Prints [PDF]
, 2021 In this work we present a large-scale dataset of Ukiyo-e woodblock prints. Unlike previous works and datasets in the artistic domain that primarily focus on western art, this paper explores this pre-modern Japanese art form with the aim of broadening the
Khan, S., van Noord, N.; id_orcid
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Manifestation of the Kabuki actors’ gender in woodblock prints of the Edo Period [PDF]
Argument, 2015 The connection between Kabuki theatre and Japanese woodblock prints of the Edo period (1603–1868), especially in their portraits of actors called yakusha‑e, offers an exceptional opportunity to analyse perceptions of the sex of the actor: as the hero of
Beata ROMANOWICZ
doaj
Heritage Science, 2018 A widespread belief among scholars and connoisseurs of the Japanese color woodblock print (nishiki-e) holds that synthetic dyes were imported from the West in the 1860s, and soon came to be used for all nishiki-e colorants during the Meiji period. These “
Anna Cesaratto +3 more
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Flap Anatomies and Victorian Veils: Penetrating the Female Reproductive Interior
Gender &History, Volume 38, Issue 3, Page 777-798, October 2026.ABSTRACT This article examines the reappearance in the early nineteenth century of anatomical flapbooks in the context of obstetrical education in Britain, America and France. It asks why liftable paper flaps were reintroduced at this time after their disappearance from medical atlases in the eighteenth century.
Margaret Carlyle, Marcia D. Nichols
wiley +1 more source
Laser Patterning of Plasmonic Gold and Silver Nanoband Arrays
ChemNanoMat, Volume 12, Issue 3, March 2026.Plasmonic metal nanoband arrays were fabricated by scanning Au or Ag films on semiconducting substrates with a cost‐effective near‐infrared laser marking system. Surface plasmon polaritons excited through localized surface plasmons induced the formation of plasmonic gratings showing vivid color diffraction.
Yoshinori Kuroiwa +2 more
wiley +1 more source
TEACHING SPANISH IN THE UNIVERSAL MONARCHY: TOMÁS PINPIN'S GRAMMAR FOR TAGALOGS (1610)
History and Theory, Volume 64, Issue 4, Page 92-108, December 2025.ABSTRACT In 1610, a Tagalog printer named Tomás Pinpin published a Spanish grammar in Tagalog that was intended to help natives avoid errors and misunderstandings in their interactions with Spanish colonizers. This article attempts to clarify the book's genesis and to contextualize it within the global expansion of Spanish. Pinpin exemplifies a pattern
ALAN DURSTON
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Mining an Anthropocene in Japan: On the making and work of geological imaginaries
Transactions of the Institute of British Geographers, Volume 50, Issue 3, September 2025.Short Abstract This article addresses how the lithic and the drift might be reworked as an Anthropocene material outside of a chronostratigraphy. Revisiting the finding of a floating fern fossil at the Hashima mine, we delve into a complex array of Geological imaginaries, and undertake our own speculative work.
Deborah P. Dixon +2 more
wiley +1 more source