Results 31 to 40 of about 531 (170)

Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada

open access: yesHeritage Science, 2019
This study explores the evolution of the manufacturing process of artificial arsenic sulfide pigments in Edo-period Japan through the analysis of three impressions of the same print dated from the 1830s and attributed to Katsushika Hokusai (1760–1849 ...
Marc Vermeulen, Marco Leona
doaj   +1 more source

Stylistic Multi-Task Analysis of Ukiyo-e Woodblock Prints [PDF]

open access: yes, 2021
In this work we present a large-scale dataset of Ukiyo-e woodblock prints. Unlike previous works and datasets in the artistic domain that primarily focus on western art, this paper explores this pre-modern Japanese art form with the aim of broadening the
Khan, S., van Noord, N.; id_orcid
core   +2 more sources

A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods

open access: yesHeritage Science, 2018
A widespread belief among scholars and connoisseurs of the Japanese color woodblock print (nishiki-e) holds that synthetic dyes were imported from the West in the 1860s, and soon came to be used for all nishiki-e colorants during the Meiji period. These “
Anna Cesaratto   +3 more
doaj   +1 more source

The Mokuhanga Technique Today: An Exploration of Traditional Japanese Art in the Artistic and Educational Context

open access: yesInternational Journal of Art &Design Education, EarlyView.
Abstract In recent years, there has been a growing interest in the Mokuhanga technique, a traditional Japanese printmaking method, and its contemporary evolution. This article explores the history of this discipline, its technical uniqueness, and its resurgence in the current context, with particular attention to its development in Spain.
Macarena Moreno Moreno
wiley   +1 more source

Laser Patterning of Plasmonic Gold and Silver Nanoband Arrays

open access: yesChemNanoMat, Volume 12, Issue 3, March 2026.
Plasmonic metal nanoband arrays were fabricated by scanning Au or Ag films on semiconducting substrates with a cost‐effective near‐infrared laser marking system. Surface plasmon polaritons excited through localized surface plasmons induced the formation of plasmonic gratings showing vivid color diffraction.
Yoshinori Kuroiwa   +2 more
wiley   +1 more source

TEACHING SPANISH IN THE UNIVERSAL MONARCHY: TOMÁS PINPIN'S GRAMMAR FOR TAGALOGS (1610)

open access: yesHistory and Theory, Volume 64, Issue 4, Page 92-108, December 2025.
ABSTRACT In 1610, a Tagalog printer named Tomás Pinpin published a Spanish grammar in Tagalog that was intended to help natives avoid errors and misunderstandings in their interactions with Spanish colonizers. This article attempts to clarify the book's genesis and to contextualize it within the global expansion of Spanish. Pinpin exemplifies a pattern
ALAN DURSTON
wiley   +1 more source

Mining an Anthropocene in Japan: On the making and work of geological imaginaries

open access: yesTransactions of the Institute of British Geographers, Volume 50, Issue 3, September 2025.
Short Abstract This article addresses how the lithic and the drift might be reworked as an Anthropocene material outside of a chronostratigraphy. Revisiting the finding of a floating fern fossil at the Hashima mine, we delve into a complex array of Geological imaginaries, and undertake our own speculative work.
Deborah P. Dixon   +2 more
wiley   +1 more source

History and Progress of Japanese Acupuncture

open access: yesEvidence-Based Complementary and Alternative Medicine, Volume 7, Issue 3, Page 359-365, 2010., 2010
After Chiso brought acupuncture to Japan from Wu (China) in the sixth century, it has progressed in unique ways within the various historical milieus of the past 1500 years. Ishitsu‐rei, the first medical law of Japan established in 701, explains the medical system of acupuncture in detail showing that acupuncture was being administered under the ...
Akiko Kobayashi   +2 more
wiley   +1 more source

Locating Traces of Arboreal Beings: Connecting the Tree and the Woodblock

open access: yesArchaeology in Oceania, Volume 60, Issue 2, Page 145-155, July 2025.
ABSTRACT Woodblocks for printmaking are multi‐perspectival communicators inscribed with layered narratives. The artistic process of cutting excavates the surface of a woodblock, making visible lesser‐seen traces of the past, reflective of the practice of archaeology.
Julian Laffan
wiley   +1 more source

Identification of Materials and Kirazuri Decorative Technique in Japanese Ukiyo-e Prints Using Non-Invasive Spectroscopic Tools

open access: yesHeritage
Ten ukiyo-e woodblock prints from the collection of the Museo delle Culture in Lugano (Switzerland) were analyzed to identify the materials used in their production. These Japanese artworks were traditionally created with colors derived from minerals and
Laura Rampazzi   +6 more
doaj   +1 more source

Home - About - Disclaimer - Privacy