Results 41 to 50 of about 3,156,590 (159)
History and Progress of Japanese Acupuncture
After Chiso brought acupuncture to Japan from Wu (China) in the sixth century, it has progressed in unique ways within the various historical milieus of the past 1500 years. Ishitsu‐rei, the first medical law of Japan established in 701, explains the medical system of acupuncture in detail showing that acupuncture was being administered under the ...
Akiko Kobayashi +2 more
wiley +1 more source
Locating Traces of Arboreal Beings: Connecting the Tree and the Woodblock
ABSTRACT Woodblocks for printmaking are multi‐perspectival communicators inscribed with layered narratives. The artistic process of cutting excavates the surface of a woodblock, making visible lesser‐seen traces of the past, reflective of the practice of archaeology.
Julian Laffan
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Ten ukiyo-e woodblock prints from the collection of the Museo delle Culture in Lugano (Switzerland) were analyzed to identify the materials used in their production. These Japanese artworks were traditionally created with colors derived from minerals and
Laura Rampazzi +6 more
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Abstract This study investigates the intriguing choice of frontispiece design in Kaitai Shinsho (1774), the first systematic Japanese translation of a Western anatomical text. While the main content of Kaitai Shinsho was translated from Johann Adam Kulmus's “Ontleedkundige Tafelen” (1734), its frontispiece notably deviates from Kulmus's original design,
Chuan‐Hang Yu, Toshihide Sato
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Does culture matter in corporate cash holdings?
Abstract This paper identifies culture as an important factor affecting corporate cash holdings by using China and its national culture, Confucianism, as the setting. We find that firms located in regions with stronger Confucian culture hold persistently higher levels of cash. We employ an instrumental variable to draw causal inference.
Yongning Deng, Sipeng Zeng
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Meiji Woodblock Prints by Utagawa Kokunimasa : In the Collection of the National Maritime Museum in Gdańsk [PDF]
The Western world discovered the Japanese art of woodblock printing at the end of the 19th century. Europeans were fascinated by melancholic views of Mount Fuji or expressive and immensely decorative depictions of kabuki actors and geishas from the Edo ...
Jankiewicz-Brzostowska, Monika
core
Variations in Hiroshige’s Print “The Plum Garden at Kameido”
This work examines variations in Utagawa Hiroshige’s “The Plum Garden at Kameido” by studying 82 surviving impressions of the print. Through comparative analysis, differences were observed across printings, driven by changes in woodblocks, block wear ...
Capucine Korenberg
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Illusions of textuality: The semiotics of literary memes in contemporary media
Abstract This article seeks to account for the phenomenon where cultural productions are able to transcend different chronotopes and masquerade in myriad forms while sustaining an illusion of itself as a text. Using the Barthian distinction between work and Text as its framework, the article argues that multimodal semiotics offers a theoretically ...
Tong King Lee
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Historical subjects represented in the Feliks Jasienski collection of Japanese woodblock-prints [PDF]
Jasienski started to buy Japanese woodblock-prints, lacquerware, bronzes and other kind of art pieces. This interest became a passion which he deepened by studying Japanese culture. He was interested in its history, aesthetics, and symbolism.
Görlich, Aleksandra
core
To Hell with Devotion: Buddhism in Senjafuda
This article concerns nōsatsu, also known in Japanese as senjafuda and generally known as “votive slips” in English. Nōsatsu emerged in the 18th century out of popular practices related to pilgrimage in the city of Edo.
Glynne Walley
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