Results 251 to 260 of about 393,868 (308)
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2003
Not everyone has subscribed to the idea that all people can learn to play jazz. Since the time of the earliest accounts of the music, many writers and audiences have perceived jazz as a ‘natural expression’ of the performers rather than as a learned and practised behaviour.
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Not everyone has subscribed to the idea that all people can learn to play jazz. Since the time of the earliest accounts of the music, many writers and audiences have perceived jazz as a ‘natural expression’ of the performers rather than as a learned and practised behaviour.
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1997
Abstract Long before modern jazz emerged as a distinctive style, an ideology of modernism had been implicitly embraced by the music’s practitioners. From its earliest days, jazz had been an forward-looking art, continually incorporating new techniques, more expansive harmonies, more complex rhythms, more intricate melodies.
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Abstract Long before modern jazz emerged as a distinctive style, an ideology of modernism had been implicitly embraced by the music’s practitioners. From its earliest days, jazz had been an forward-looking art, continually incorporating new techniques, more expansive harmonies, more complex rhythms, more intricate melodies.
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1992
Abstract Though Metronome magazine named Marian McPartland’ s trio the Small Group of the Year in 1955, we only made two albums, for Capitol Records. Marian added a harp and cello to a couple of the tunes, an unusual blending of “classical” instruments with a jazz trio in those days.
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Abstract Though Metronome magazine named Marian McPartland’ s trio the Small Group of the Year in 1955, we only made two albums, for Capitol Records. Marian added a harp and cello to a couple of the tunes, an unusual blending of “classical” instruments with a jazz trio in those days.
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Giving voice to jazz singers’ experiences of flow in improvisation
Psychology of Music, 2021Melissa Forbes
exaly
Musical identities of professional jazz musicians: a focus group investigation
Psychology of Music, 2005Raymond Afredo Rossi MacDonald
exaly
Descriptions of Improvisational Thinking by Artist-Level Jazz Musicians
Journal of Research in Music Education, 2011Martin Norgaard
exaly
Sensemaking and sensegiving stories of jazz leadership
Human Relations, 2012Michael Humphreys, Andy Lockett
exaly