Results 281 to 290 of about 426,791 (349)
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Ethnomusicology Forum, 2017
Jazz Worlds/World Jazz is an illuminating volume that investigates the sonic diaspora of jazz and its fusion with indigenous music in diverse cultures worldwide.
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Jazz Worlds/World Jazz is an illuminating volume that investigates the sonic diaspora of jazz and its fusion with indigenous music in diverse cultures worldwide.
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2020
This chapter explores how Latin jazz is positioned and named and the primary discursive contestations associated with the genre. What is focused on in particular is how musicians exert agency by manipulating generic boundaries as a negotiative tool. With a focus on two prominent bandleaders as case studies, Arturo O’Farrill and Ray Barretto, discursive
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This chapter explores how Latin jazz is positioned and named and the primary discursive contestations associated with the genre. What is focused on in particular is how musicians exert agency by manipulating generic boundaries as a negotiative tool. With a focus on two prominent bandleaders as case studies, Arturo O’Farrill and Ray Barretto, discursive
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2021
The question “what is jazz?” has been asked regularly since the origins of this music in the early 20th century. Over this time, jazz has undergone many changes, but certain characteristics—such as a particular kind of syncopated rhythm, improvisation, and tonal harmony—have remained more or less constant.
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The question “what is jazz?” has been asked regularly since the origins of this music in the early 20th century. Over this time, jazz has undergone many changes, but certain characteristics—such as a particular kind of syncopated rhythm, improvisation, and tonal harmony—have remained more or less constant.
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General Music Today, 2008
In this article, jazz music is used as a lens through which early childhood music pedagogy is viewed, specifically thinking about swing and improvisation—the listening and responding to what is heard and seen, and the openness to possibility. These two concepts are defined by prominent jazz musicians and are traced in the child development literature ...
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In this article, jazz music is used as a lens through which early childhood music pedagogy is viewed, specifically thinking about swing and improvisation—the listening and responding to what is heard and seen, and the openness to possibility. These two concepts are defined by prominent jazz musicians and are traced in the child development literature ...
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2003
Not everyone has subscribed to the idea that all people can learn to play jazz. Since the time of the earliest accounts of the music, many writers and audiences have perceived jazz as a ‘natural expression’ of the performers rather than as a learned and practised behaviour.
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Not everyone has subscribed to the idea that all people can learn to play jazz. Since the time of the earliest accounts of the music, many writers and audiences have perceived jazz as a ‘natural expression’ of the performers rather than as a learned and practised behaviour.
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1997
Abstract Long before modern jazz emerged as a distinctive style, an ideology of modernism had been implicitly embraced by the music’s practitioners. From its earliest days, jazz had been an forward-looking art, continually incorporating new techniques, more expansive harmonies, more complex rhythms, more intricate melodies.
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Abstract Long before modern jazz emerged as a distinctive style, an ideology of modernism had been implicitly embraced by the music’s practitioners. From its earliest days, jazz had been an forward-looking art, continually incorporating new techniques, more expansive harmonies, more complex rhythms, more intricate melodies.
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The Media of Memory: The Seductive Menace of Records in Jazz History
Jazz Among the Discourses, 2020Jed Rasula
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1992
Abstract Though Metronome magazine named Marian McPartland’ s trio the Small Group of the Year in 1955, we only made two albums, for Capitol Records. Marian added a harp and cello to a couple of the tunes, an unusual blending of “classical” instruments with a jazz trio in those days.
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Abstract Though Metronome magazine named Marian McPartland’ s trio the Small Group of the Year in 1955, we only made two albums, for Capitol Records. Marian added a harp and cello to a couple of the tunes, an unusual blending of “classical” instruments with a jazz trio in those days.
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Giving voice to jazz singers’ experiences of flow in improvisation
Psychology of Music, 2021Melissa Forbes
exaly