Results 71 to 80 of about 389,233 (308)

Jazz na Slovensku v období fašizmu

open access: yesMusicologica Brunensia, 2019
This study presents new findings about jazz music in Slovakia at the time of World War II. Research has discovered that during the fascist Slovak State semi-professional orchestras consisting mainly of Romani and Jewish musicians also played jazz in ...
Yvetta Kajanová
doaj   +1 more source

Modes of communication during jazz improvisation [PDF]

open access: yes, 2005
This study investigated modes of communication adopted by six student jazz musicians during rehearsal and performance. Six one-hour rehearsal sessions and a performance were observed and videotaped for analysis.
Seddon, Frederick A
core   +1 more source

Unprecedented Spin‐Lifetime of Itinerant Electrons in Natural Graphite Crystals

open access: yesAdvanced Functional Materials, EarlyView.
Graphite exhibits extraordinary spintronic potential, with electron spin lifetimes reaching 1,000 ns at room temperature ‐ over 100 times longer than graphene‐based devices. Magnetic resonance spectroscopy reveals strong anisotropy: out‐of‐plane spins live 50 times longer than their in‐plane counterparts.
Bence G. Márkus   +5 more
wiley   +1 more source

Jazz in Soviet Cinema. The Experience of Retrospective Analysis [PDF]

open access: yesХудожественная культура
The article is devoted to representation of domestic jazz in the Soviet feature silent and sound cinema in the period from 1926 to 1990. The author notes that jazz was becoming part of the plot of documentaries and feature films since its emergence in ...
Rikker Natalia G.
doaj   +1 more source

Emergent Spin‐Glass Behavior in an Iron(II)‐Based Metal–Organic Framework Glass

open access: yesAdvanced Functional Materials, EarlyView.
A one‐pot, solvent‐free synthesis yields an Fe2+‐based metal‐organic framework (MOF) glass featuring a continuous random network structure. The material exhibits spin‐glass freezing at 14 K, driven by topological‐disorder and short‐range magnetic frustration, showcasing the potential of MOF glasses as a plattform for cooperative magnetic phenomena in ...
Chinmoy Das   +8 more
wiley   +1 more source

Jazz and nation in Australia: bridging the gap on screen, 1919–1933 [PDF]

open access: yes, 2011
When jazz arrived in Australia as live performance in 1918, it initially was taken by the establishment as a threat to national identity, in particular as that identity had been associated with masculinist rural mythologies centred on what was ...
Johnson, B.
core  

Tuning the Electronic Structure and Spin State of Fe─N─C Catalysts Using an Axial Oxygen Ligand and Fe Clusters for High‐Efficiency Rechargeable Zinc–Air Batteries

open access: yesAdvanced Functional Materials, EarlyView.
A FeN4─O/Clu@NC‐0.1Ac catalyst containing atomically‐dispersed FeN4─O sites (medium‐spin Fe2+) and Fe clusters delivered a half‐wave potential of 0.89 V for ORR and an overpotential of 330 mV at 10 mA cm−2 for OER in 0.1 m KOH. When the catalyst was used in a rechargeable Zn–air battery, a power density of 284.5 mW cm−2 was achieved with excellent ...
Yongfang Zhou   +8 more
wiley   +1 more source

Heiße Rhythmen im Kalten Krieg. Swing und Jazz hören in der SBZ/DDR und der VR Polen (1945–1970)

open access: yesZeithistorische Forschungen, 2011
This article enquires into the way in which listeners in East Germany and Poland acquired access to jazz music via radio, records and live performances. Jazz music flourished in both countries after the Second World War, even though socialist authorities
Christian Schmidt-Rost
doaj   +1 more source

Boston University Jazz Lab Band and MIT Festival Jazz Ensemble, December 7, 1989 [PDF]

open access: yes, 1989
This is the concert program of Boston University Jazz Lab Band and MIT Festival Jazz Ensemble performance on Thursday, December 7, 1989 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Jazz zaum.

open access: yesMúsica Oral del Sur, 2006
Partiendo del supuesto de que todo arte persigue un tipo de comunicación en última instancia translingüística (zaum) y de que todo lenguaje funciona como medio traductor de dicha comunicación, hemos escrito este trabajo para mostrar cómo el motor del progreso técnico en la música no es otro que la dificultad que existe para ajustar su lenguaje al ...
openaire   +3 more sources

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