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Literature Compass, Volume 21, Issue 1-3, January-March 2024.Abstract The notion of “New Sincerity” has become central to the study of David Foster Wallace's prose over the years. The present article explores how the tonal arrangement that characterises the movement has lived on to influence contemporary art, examining Bo Burnham's popular comedy musicals as a notable example of this influence.
Sergio Lopez‐Sande
wiley +1 more source
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard [PDF]
, 2013 A partir de Histoire(s) du cinéma de Jean-Luc Godard, se intenta revisar algunas nociones fundamentales de la filosofía de la historia de Walter Benjamin.
Taccetta, Natalia Roberta
core
Recherches & Travaux, 2023 The literary and bookish taste of the New Wave is not an epochal trait. The alliance between cinema and literature has endured and this state of affairs is related to the influence of the New Wave on the filmmakers—and writers—of subsequent generations ...
Alban Pichon
doaj +1 more source
Assemblage and anatopism according to Jean-Luc Godard
Festival dell'Architettura Magazine, 2020 Frequently described as a reflection on the traumatic history of the 20th century, the cinema of Jean-Luc Godard has managed to call attention several times to the geographical atlas, forcing us to conceive the practice of assemblage as an unceasing ...
Francesco Zucconi
doaj +1 more source
Good work, little soldier: Text and pretext [PDF]
, 2004 This article reads the relation between Denis's Beau Travail and Jean-Luc Godard's 1960 film Le Petit Soldat as a film-on-film variant of film-on-book adaptation. The model informing this reading is not so much intertextual as pretextual.
Lack, RF
core
Cinema/history: Philippe Garrel, Bernardo Bertolucci and May 1968 [PDF]
, 2011 This article compares the engagement with the history of May 1968 in Philippe Garrel’s Les Amants réguliers/Regular Lovers (2005)and Bernardo Bertolucci’s The Dreamers (2004).
Leonard, Michael
core +1 more source
“Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968
Significação: Revista de Cultura Audiovisual, 2018 Este artículo examina la participación de Jean-Luc Godard en el proyecto ciné-tracts durante mayo y junio de 1968. Explora dos enfoques de la producción cultural que fueron prominentes en Francia en este periodo, y que influyeron en la práctica artística
Dominic Topp
doaj
A bout de souffle: the film of the book [PDF]
, 2004 Not the cinematic adaptation of a literary pretext: A bout de souffle (1960) by Jean-Luc Godard is based on an original treatment. Nor the book of the film: A bout de souffle (1960) by Claude Francolin is the literary adaptation of a cinematic pretext ...
Lack, R.-F.
core
Aisthesis, 2014 El presente trabajo tiene como objeto el análisis del dispositivo crítico de descomposición-recomposición de las imágenes, los textos y los sonidos en Le Gai Savoir (Jean-Luc Godard, 1968) a la luz de las prácticas textuales de Julia Kristeva, la ...
Miguel Alfonso Bouhaben
doaj +1 more source