Results 41 to 50 of about 39,789 (204)

PTSI: A Person × Task × Situation Interaction Theory of Creativity

The Journal of Creative Behavior, Volume 59, Issue 2, June 2025.
ABSTRACT This article presents the PTSI (Person × Task × Situation Interaction) theory of creativity. The theory deals with the creative person, the deployment of creativity in tasks, the ecological context in which this deployment takes place, and the types of creative products that result. The theory draws upon a wide range of previous work.
Robert J. Sternberg
wiley   +1 more source

String Department Bach Competition Winners Concert, February 2, 2007 [PDF]

, 2007
This is the concert program of the String Department Bach Competition Winners Concert on Friday, February 2, 2007 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. The work performed was PartitaNo.
School of Music, Boston University
core  

String Department Student Concert, March 15, 1990 [PDF]

, 1990
This is the concert program of the String Department Student Concert performance on Thursday, March 15, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite No.
School of Music, Boston University
core  

Schenker against the Pack: Controversial Hypermetres in Bach's Prelude No. 1 in C major, The Well‐Tempered Clavier Book I

Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.
ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley   +1 more source

Crônica de Anna Magdalena Bach: amor, trabalho e morte no cinema de Danièle Huillet e Jean-Marie Straub.

ARS
resumo Este artigo analisa o filme Crônica de Anna Magdalena Bach (1968), de Danièle Huillet e Jean-Marie Straub, de modo a mostrar como, analogamente, ao tratar de modos de produção artística, desmitifica-se o gênio de Johann Sebastian Bach ...
Dalila Camargo Martins
doaj   +1 more source

Johann Sebastian Bach: Ubesedljiva določnost glasboslovne sodbe in neubesedljiva veličina glasbe

Muzikološki Zbornik, 2000
Kot je razvidno iz Scheibejevega pisanja, so bile osebnostne lastnosti Bachove glasbe prepoznane že v njegovem času, kljub temu pa se je Bachova glasba začela pojmovati kot delo izrednega skladatelja šele stoletje po njegovi smrti.
Jurij Snoj
doaj   +1 more source

A Brook Runs through It: Fresh Water from the Bach for Today\u27s Thirsty Church [PDF]

, 2003
(Excerpt) Not Bach [brook], but Meer [sea] should be his name, Beethoven once said of Johann Sebastian Bach. 1 In this anniversary year marking the two-hundred and fiftieth year of his death on July 28, Bach is receiving extraordinary attention, which ...
Bangert, Mark P
core   +2 more sources

Libretto of Mauricio Kagel’s Sankt-Bach-Passion: Between Tradition and Avant-Garde

Studia Universitatis Babeş-Bolyai. Musica
The article contains an analysis of the libretto of Mauricio Kagel’s work, Sankt-Bach-Passion. Analysis is based on the tools of the classical text theory.
Laurenţiu BELDEAN, Małgorzata LISECKA, Ciprian ŢUŢU   +2 more
doaj   +1 more source

Szymon Paczkowski, Polish style in the music of Johann Sebastian Bach, Lanham 2017

Muzyka, 2019
Book ...
Steven Zohn
doaj   +1 more source

Yi Lu, piano [PDF]

, 2019
Johann Sebastian Bach, trans.

core