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Apontamentos retórico-musicais no Largo do Concerto n.5, BWV 1056, de Johann Sebastian Bach Musical-rethorical notes on J. S. Bach's Largo from Concerto n.5, BWV 1056

open access: yesPer Musi, 2013
O presente artigo discute a análise retórica do Largo do Concerto n.5 em Fá menor, BWV 1056 de Johann Sebastian Bach. No primeiro momento, é apresentada uma revisão dos princípios retóricos e de como eles se transportam à música. A seguir, é proposta uma
Pablo Alberto Lanzoni
doaj  

Boston University Early Music Series, January 27, 1995 [PDF]

open access: yes, 1995
This is the concert program of the Boston University Early Music Series performance on Friday, January 27, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in C major for Flute
School of Music, Boston University
core  

[Johann Sebastian Bach's disease and his bizarre english physician].

open access: yesRevista médica de Chile (Impresa), 2019
Johann Sebastian Bach suffered during the last year of his life of a progressive visual defect despite two operations done by a famous but quite controversial English ocular surgeon of that time.
M. Miranda C
semanticscholar   +1 more source

Learning multi‐modal recurrent neural networks with target propagation

open access: yesComputational Intelligence, Volume 40, Issue 4, August 2024.
Abstract Modelling one‐to‐many type mappings in problems with a temporal component can be challenging. Backpropagation is not applicable to networks that perform discrete sampling and is also susceptible to gradient instabilities, especially when applied to longer sequences.
Nikolay Manchev, Michael Spratling
wiley   +1 more source

Análise de gravações como recurso para o desenvolvimento da ornamentação: um estudo aplicado à Suíte para violoncelo nº 2, em Ré menor, de J. S. Bach

open access: yesOrfeu
Este artigo explora o papel da ornamentação na prática musical atual, utilizando como estudo de caso a Suíte para violoncelo nº 2 em Ré menor (BWV 1008) de Johann Sebastian Bach.
William Teixeira, Guilherme Ferreira
doaj   +1 more source

String Department Bach Competition Winners' Concert, February 8, 2008 [PDF]

open access: yes, 2008
This is the concert program of the String Department Bach Competition Winners' Concert performance on Friday, February 8, 2008 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Sonata
School of Music, Boston University
core  

Corpus Studies and ‘Close Listening’

open access: yesMusic Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source

Pachelbels d-Moll-Ciacona als strukturelles Vorbild für eine Aemulatio: zur Form der Passacaglia in c-Moll von J. S. Bach

open access: yesDe Musica Disserenda, 2015
Many musicologists have discussed the influence of Buxtehude’s ostinato compositions on Johann Sebastian Bach’s Passacaglia in C minor, BWV 582. But Johann Pachelbel’s Ciacona in D minor seems to have had a much stronger effect on it: this piece served ...
Katarina Larissa Peach
doaj   +1 more source

Bach Competition Winners' Concert, January 29, 2013 [PDF]

open access: yes, 2013
This is the concert program of the Bach Competition Winners' Concert performance on Tuesday, January 29, 2013 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Partita No.
School of Music, Boston University
core  

Faculty recital series: Michael Reynolds and Robert Merfeld, October 3, 2008 [PDF]

open access: yes, 2008
This is the concert program of the faculty recital of Michael Reynolds and Robert Merfeld on Friday, October 3, 2008 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

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