True Fire by Kaija Saariaho: Poetics of Composition
Art & Culture Studies, 2021 Finnish composer Kaija Saariaho is one of the most prominent figures in contemporary music culture. She became known to the general public after the triumphant premiere of her Love from Afar opera (L’amour de loin, 2000), held at the Salzburg festival. The article is devoted to another work of the composer — the vocal cycle True Fire (2014), which was ...
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Light and Shadow in Kaija Saariaho\u27s Maan Varjot [PDF]
, 2020 Kaija Saariaho’s work Maan Varjot is a relatively new addition to a set of repertoire that includes the organ as a part of the orchestra. This commission from the Orchestre Symphonique de Montréal, Orchestre National de Lyon, Southbank Centre, and the ...
Cornelius-Bates, Benjamin M
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Revista Vortex, 2016 Este texto é a minha interpretação da negociação de gênero da compositora finlandesa Kaija Saariaho na Finlândia. Eu demonstro, através da análise da recepção pública de Saariaho e de suas experiências, como acontecem a negociação de gênero da identidade
Pirkko Moisala +1 more
doaj
Faculty recital series: Yuri Mazurkevich, violin, November 13, 2007 [PDF]
, 2007 This is the concert program of the Faculty recital series: Yuri Mazurkevich, violin performance on Tuesday, November 13, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Extended methods of notation in Josh Levine's Les yeux ouverts and Daniel Tacke's Einsamkeit [PDF]
, 2015 Master's Project (M.Mu.) University of Alaska Fairbanks ...
Dowgray, Sean
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Nordic Drone : pedal points and static textures as musical imagery of the northerly environment [PDF]
, 2019 Peer ...
Torvinen, Juha, Välimäki, Susanna
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Investigating the canon in A-Level music: Musical Prescription in A-Level Music Syllabuses (for first examination in 2018) [PDF]
, 2018 The canon forming the backbone of most conceptions of Western music has been a feature of musical culture for decades, exerting an influence upon musical study in educational settings.
Whittaker, Adam
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Composing with Microsound: An Approach to Structure and Form when Composing for Acoustic Instruments with Electronics [PDF]
, 2017 This paper explores the implications of using microsound as an organising principle when structuring composition for acoustic instruments and electronics.
ESTIBEIRO, Marc
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European Music After 1945 as a Restricted Space of Enunciation [PDF]
, 2012 In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in ...
Vargas, António Pinho
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Tensional processes and perception of form in three selected compositions by Kaija Saariaho [PDF]
, 2021 <p>The primary feature that gives ‘spectral music’ its stylistic uniqueness within the field of art music is the blurring of the traditionally distinct roles of harmony and timbre, through the use of chords derived from the naturally occurring overtones of instrumental timbre (often referred to as timbre chords).
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