Results 41 to 50 of about 92 (81)

Harold Pinter`in `Gitgel dolap` oyununun absürd tarzını Konstantin S. Stanislavski`nin fiziksel aksiyonlar yöntemi ile sahnelenmesi

open access: yes, 2019
Eser Metin çalışması kapsamında öncelikle Stanislavski'nin FizikselAksiyonlar Yöntemi incelenmiştir. Bunun için öncelikle yöntemin oluşum süreciüzerine bir inceleme yapılmış ve bu inceleme ışığında elde edilen bilgilerdoğrultusunda Fiziksel Aksiyonlar Yöntemi detaylı olarak incelenmiştir.
openaire   +2 more sources

Konstantin Stanislavski on the professional and ethical education of the film actor: based on the silent films of Boris Sushkevich, Yakov Protazanov, Aleksander Sanin, and Yuri Zhelyabuzhski

Stanislavski Studies, 2021
Stanislavski’s attitude to the cinematic art in general and acting in particular changed throughout his life.
Viktoria Volkova
exaly   +2 more sources

Introducing the Inhabiting Technique; highlighting the value of psychophysical processes originated by Konstantin Stanislavski, while showing that most aspects of Stanislavski’s System of Active Analysis are inappropriate for use with Shakespeare; inviting the actor into the role of Psychopomp

Stanislavski Studies, 2019
A sharing of practice-based research occurring in actor training labs, this paper will explore subjective findings regarding a new technique called Inhabiting, with reference to inspiration gained ...
exaly   +2 more sources

Konstantin Sergeyevich Stanislavski

Peripeti, 2021
Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium.
Franco Ruffini, John Dean
openaire   +1 more source

Expeditions of Konstantin Stanislavsky and Włodzimierz Staniewski

2021
The Moscow Art Theatre and the Centre for Theatre Practices Gardzienice are difficult to assimilate into a common artistic tradition. The creative work of Konstantin Stanislavsky and Wlodzimierz Staniewski is separated by a considerable difference in time - almost a century.
Tadeusz Kornaś, Sylwia Dobkowska
openaire   +2 more sources

From the proscenium: The influence of Konstantin Stanislavski and the psychology of acting in Vygotsky’s work

Theory & Psychology, 2023
The Soviet psychologist L. S. Vygotsky was immersed in theater and the arts through much of his life, collaborating with scholars of the psychology of acting, including Konstantin Stanislavski’s close confidante and long-time editor Liubov Gurevich, on terms and theories expressed in his historically defining text, An Actor’s Work.
G. Logan Pelfrey   +3 more
openaire   +1 more source

"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski

Royal Conservatoire Research Portal, 2022
The belief that imagination’s engagement and emotional connection with what I play enhance my performance propelled me to do this research. However, these are not systematically integrated in instrumental practice. Thus, it seemed to me that the twentieth century theatre director Konstantin Stanislavski’s ‘system’ would be the perfect basis for such a ...
openaire   +1 more source

The ever-widening contexts of Konstantin Stanislavsky

Stanislavski Studies, 2019
Adopting and adapting Giorgio Strehler’s notion of treating a great play as a series of nesting boxes, I intend to examine the contexts of Stanislavsky’s life and work as Matryoshka dolls, ever wid...
openaire   +1 more source

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