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The Boondoggle: Lee Miller and the vicissitudes of private archives
Photographies, 2015This paper recounts the surprising and disastrous results of attempting to do historical photographic research at a private archive. I had travelled to the Lee Miller Archives, in Sussex, UK, in order to conduct some preliminary research on Miller’s war work between the years 1944 and 1945.
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, 2009 Traduzione poetica dal francese di "Il collo di Lee Miller", di Nicole ...
Brossard, N, LAVIERI, Antonio
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In 1937 and 1939, Lee Miller photographed Leonora Carrington during two crucial moments in her life: the euphoria of her passionate love for Max Ernst and her artistic development on the brink of war. This text examines the relationship between the two artists, both of whom rejected the traditional role of the muse in favor of pursuing their own ...
Bruccoleri Doriana
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Lee Miller and Martha Gellhorn: Parallel Lives
The Antioch Review, 2015 Compares Gellhorn’s life to contemporary photographer and model Lee Miller, noting both women’s inability to form stable relationships with husbands and lovers. Meyers recounts familiar elements of Gellhorn’s turbulent marriage to Hemingway.
Meyers, Jeffrey
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« Lee Miller, War “ethical” Photographer?»
, 2013 This presentation discusses some of Lee Miller photographs of Dachau and argues of their ethical relevance.
Coste, Bénédicte
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Lee Miller Man Ray. Arte, moda, fotografia/Lee Miller and Man Ray. Art Fashion Photography [PDF]
, 2016 The statement “I would rather take a photograph than be one” was made by the model and photographer Lee Miller on October 17, 1932 in response to a reporter for the New York World Telegraph who had just called her “one of the most photographed girls in Manhattan”.1 Elizabeth “Lee” Miller, an American from Poughkeepsie, New York, was at that time a ...
MUZZARELLI, FEDERICA
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Lee Miller: Bathing with the enemy
History of Photography, 1997Abstract Certain photographs linger in my mind, accumulating a psychic force far greater in intensity than the initial shock or surprise I experienced when encountering them. Such was the case with the photograph that is my subject. My reaction — fascination mingled with disgust — begged the question: how does one articulate a pleasure that shares ...
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