Results 91 to 100 of about 36,523 (216)

FROM CONCEPTION TO TEXT: PARADOXES OF INCOMPLETENESS (“POEM WITHOUT A HERO”, SKETCHES OF A BALLET LIBRETTO AND “PROSE ABOUT A POEM”)

open access: yesФилологический класс, 2019
Three unfinished texts by Akhmatova (“Poem without a Hero”, sketches of a ballet libretto for “A Poem without a Hero” and “Prose about a Poem”) became the object of the paper. According to our hypothesis, these works go back to a primary idea, the traces
doaj   +1 more source

„Melpomeny podrzucone dziecię” oraz „grand monstre”: Porównanie dramatycznej architektoniki dzieł Wojciecha Bogusławskiego «Herminia, czyli Amazonki» oraz «Izkahar, król Guaxary»

open access: yesPamiętnik Teatralny, 2017
The text approaches the problems of music-dramatic work of Wojciech Bogusławski in a new way by examining it from the standpoint of opera studies. The article analyses relations between opera libretto and melodrama in the work of the father of the Polish
Daniel Stachuła
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Mozart and l'impresario

open access: yes, 2006
In May 1856, less than a year after opening, Jacques Offenbach’s Théâtre des Bouffes-Parisiens mounted a production of Mozart’s Der Schauspieldirektor entitled L’Impresario.
Everist, Mark
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ALEA III and the Boston University School of Music Opera Theater, May 2 and 3, 1986 [PDF]

open access: yes, 1986
This is the concert program of the ALEA III and the Boston University School of Music Opera Theater performance on Friday, May 2, and Saturday, May 3, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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Le Henri VIII de Saint-Saëns : entre affirmation idéologique et liberté théâtrale

open access: yesRevue LISA, 2011
A late example of French grand opera, Saint-Saëns’ Henri VIII (1883), a setting of the libretto by Léonce Détroyat and Armand Silvestre draws from Shakespeare’s and Fletcher’s Henry VIII as well as Calderón de la Bark’s La Cisma de Inglaterra.
Thierry Santurenne
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L'Egisto, March 29 and 31, 1984 [PDF]

open access: yes, 1984
This is the concert program of the Boston University Opera Theatre and Boston University Chamber Orchestra performance of L'Egisto by Francesco Cavalli with libretto by Giovanni Faustini, runnng Thursday March, 29 and Saturday, March 31, 1984 at 8:00 p.m.
School of Music, Boston University
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A Month in the Country, April 13-16, 2006 [PDF]

open access: yes, 2006
This is the concert program of the Boston University Opera Institute and Boston University Chamber Orchestra performance of A Month in the County with music by Lee Hoiby and libretto by William Ball running April 13-16, 2006, at the Boston University ...
School of Music, Boston University
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Boston University Collegium Musicum: La Princesse De Navarre [PDF]

open access: yes, 1997
This is the concert program of the Boston University Collegium Musicum performance on Monday, May 5, 1997 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. The work performed was La Princesse De Navarre, a three act comedie-ballet by
School of Music, Boston University
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Page to Stage: A New Opera Howards End, America [PDF]

open access: yesPolish Journal of English Studies, 2017
The author begins by describing her function as an opera librettist adapting a great work of literature, comparing it to that of a voltage transformer channeling and converting the energy of one dynamic, kinetic vehicle to that of another. She goes on to
Claudia Stevens
doaj  

Muir String Quartet, October 21, 2009 [PDF]

open access: yes, 2009
This is the concert program of the Muir String Quartet performance on Wednesday, October 21, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were String Quartet No. 3 in D major, op. 18/3,
School of Music, Boston University
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