Results 71 to 80 of about 36,523 (216)

Allan's A‐list: The Subscription List to Allan Ramsay's Poems of 1721

open access: yesJournal for Eighteenth-Century Studies, Volume 48, Issue 1, Page 3-28, March 2025.
Abstract The new and first complete edition of the works of Allan Ramsay (1684–1758) in six volumes is beginning to draw renewed attention towards this important poet. This essay examines one of the key unexamined puzzles of his career: how an Edinburgh wigmaker apparently without any advantage of birth and connexions succeeded in gathering an ...
Murray Pittock
wiley   +1 more source

Rejoicing Against Judaism In Handel\u27s \u27Messiah\u27 (George Frideric Handel) [PDF]

open access: yes, 2007
Scholars have too little investigated questions of religious meaning in Handel\u27s Messiah, particularly the work\u27s manifest theological anti-Judaism.
Marissen, Michael
core   +1 more source

Tumor Mutation Burden Survey of AACR GENIE Database Revealed NTRK (NTRK+) and RET (RET+) Fusions Positive Colorectal Carcinoma (CRC) as Distinct Subsets

open access: yesCancer Medicine, Volume 14, Issue 4, February 2025.
NRTK+ and RET+ CRC possess significantly higher TMB than other RTK+ CRC or NTRK+/RET+ non‐CRC solid tumors. TMB testing should be routinely done in MSI‐H CRC and where TMB > 35 mut/MB samples should be screened for NTRK and RET fusions as an enrichment strategy to provide an additional treatment option for NTRK+ and RET+ CRC patients.
Zhaohui Liao Arter   +3 more
wiley   +1 more source

"Semele" An opera by John Eccles (1707), April 9, 2008 [PDF]

open access: yes, 2008
This is the concert program of the Boston University Baroque Orchestra performance of "Semele" by John Eccles with libretto by William Congreve running Wednesday, April 9 and Thursday, April 10, 2008 at 8:00 p.m., at the Boston University Theatre ...
School of Music, Boston University
core  

Baśń o Sinobrodym jako źródło inspiracji dla twórczości scenicznej Beli Bartóka

open access: yesEdukacja Muzyczna, 2019
The article entitled Béla Bartók’s “Bluebeard’s Castle” – the opera of the turn of styles is an attempt to show remarkable philosophical and artistic values of this work. In the article we can find a brief historical outline of the Hungarian opera
Małgorzata KANIOWSKA
doaj  

O warstwie treściowej spektakli baletowych – wokół problemu recepcji i transformacji kulturowych tematów libretta

open access: yesNapis, 2020
The connection between dance and the written word (literature) in classical ballet performances seems particularly close. The starting point for the production of such events could be a literary idea.
Anna Reglińska-Jemioł
doaj  

Неизвестные страницы истории советского балета

open access: yesВестник музыкальной науки, 2014
В статье на основе архивных документов -Протоколов заседаний Художественного совета при ГАТОБе - впервые вводимых в научный обиход музыкознания, рассматриваются начальные этапы становления советского балета.
Курленя, Константин Михайлович   +1 more
doaj   +1 more source

National Dances of The Nutcracker : A Study of Racial, Cultural, and National Depictions in a Classical Ballet [PDF]

open access: yes, 2018
Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development,
Hunter-Mason, Meredith
core   +1 more source

Dance libretto as social text: the Italian dance librettos in the Cia Fornaroli collection at the New York Public Library for the Performing Arts [PDF]

open access: yes, 2011
Libretto' means 'little book' and is from the Italian, used mainly to denote the words, as distinct from the dance and the music, of a dance performance or opera or musical play. The dance libretto is a written text, mostly in prose or (less commonly) in
Tomassini, Stefano
core   +2 more sources

Adaptacja libretta operowego na potrzeby realizacji scenicznej – kilka uwag od tłumacza

open access: yesMiędzy Oryginałem a Przekładem, 2013
Adaptation of the operatic libretto to the needs of stage presentation – a few translator’s remarks The paper presents my reflections concerning translations of two operatic librettos from different ages: Lorenzo da Ponte’s text to Così fan tutte by W.A.
Agnieszka Muszyńska‑Andrejczyk
doaj   +1 more source

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