Results 61 to 70 of about 1,214 (169)

Computational Approaches to Opera Libretti

Journal of Computational Literary Studies
The paper offers a first computationally-informed look at German and French opera libretti by modelling them on the basis of their structural features.
Daniil Skorinkin, Luca Giovannini
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Inojezična kazališna radionica: prednosti trivijalnoga žanra u dramsko-kazališnom pristupu

Slavia Meridionalis, 2018
Theatre workshop as a foreign language teaching tool: advantages of “trivial literature” in the dramatic-theatrical approach The aim of this paper is to demonstrate the advantages of dramatic-theatrical approach to foreign language teaching as ...
Ana Kodrić Gagro
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Ancora sulle traduzioni di Montale dal "Midsummer-Night’s Dream". Nuovi testimoni e documenti

Prassi Ecdotiche della Modernità Letteraria
Il saggio presenta un nuovo testimone della traduzione di Montale del Midsummer-Night’s Dream: il copione di Guido Salvini, che collaborò con Max Reinhardt alla regia dello spettacolo per il Maggio Musicale Fiorentino del 1933.
Enrico Tatasciore
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II)

Seminare, 2018
Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. Studiując dokonania swoich poprzedników, mistrzów baroku i klasycyzmu, starał się zrozumieć relację między ...
Marek Dudek
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Totaleindruck o impresión total: La Telésfora de Aquinas Ried como proyecto político, creación literario-musical, reflejo personal y encuentro con el otro Totaleindruck or total impression: Aquinas Ried's Telésfora as a Political Project, a Literary and Musical Creation, a Personal Reflection and an Encounter with the Others

Revista Musical Chilena, 2011
La Telésfora (1847), ópera en tres actos de Aquinas Ried, se ha instalado desde los trabajos de Eugenio Pereira Salas, como el primer drama lírico escrito en suelo chileno.
José Manuel Izquierdo König
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FROM CONCEPTION TO TEXT: PARADOXES OF INCOMPLETENESS (“POEM WITHOUT A HERO”, SKETCHES OF A BALLET LIBRETTO AND “PROSE ABOUT A POEM”)

Филологический класс, 2019
Three unfinished texts by Akhmatova (“Poem without a Hero”, sketches of a ballet libretto for “A Poem without a Hero” and “Prose about a Poem”) became the object of the paper. According to our hypothesis, these works go back to a primary idea, the traces
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“Faust” by J. W. Gethe and A. H. Radziwill: Poetics and Issue of Musical Adaptation

Pitannâ Lìteraturoznavstva, 2018
The pinnacle of the Faust literary processing became the great Goethe’s embodiment. He created three versions of the plot. They are “Urfaust”, a well-known literature “Faust” and opera libretto of the same name.
Tatsiana Suprankova
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„Melpomeny podrzucone dziecię” oraz „grand monstre”: Porównanie dramatycznej architektoniki dzieł Wojciecha Bogusławskiego «Herminia, czyli Amazonki» oraz «Izkahar, król Guaxary»

Pamiętnik Teatralny, 2017
The text approaches the problems of music-dramatic work of Wojciech Bogusławski in a new way by examining it from the standpoint of opera studies. The article analyses relations between opera libretto and melodrama in the work of the father of the Polish
Daniel Stachuła
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Page to Stage: A New Opera Howards End, America [PDF]

Polish Journal of English Studies, 2017
The author begins by describing her function as an opera librettist adapting a great work of literature, comparing it to that of a voltage transformer channeling and converting the energy of one dynamic, kinetic vehicle to that of another. She goes on to
Claudia Stevens
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Libretto

, 2015
https://ir.lib.uwo.ca/disc_image_gallery/1005/thumbnail ...
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