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For the literary historian and critic Ivan Kusý

Slovenska Literatura, 2000
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Literary Historians and the Western

Journal of Popular Culture, 1970
Richard W Etulain
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Literary Scholars and Historians

Reformation, 2002
Tom Webster
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Nineteenth-Century Aestheticians and Literary Historians

1963
The reason for including the views of a number of representative nineteenth-century aestheticians and historians of literature in this study is to obtain a more comprehensive picture of attitudes toward Emilia Galotti. It will be seen that their remarks are often brief, sometimes very superficial, and consequently require no further comment.
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Folklorists, Literary Scholars and Historians:

2020
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NICOLAE MANOLESCU – THE LITERARY HISTORIAN

ANUARUL INSTITUTULUI DE CERCETĂRI SOCIO-UMANE „GHEORGHE ŞINCAI”, 2023
Nicolae Manolescu is a critic who lucidly questions his own condition, reflection on himself and reflection on others being the relevant resources of moral self-scopy. For Nicolae Manolescu, criticism has an uncertain, anarchic status, as it approaches the meanings of the work asymptotically, without being able to reveal its inexhaustible wealth of ...
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The Historian and Literary Uses

Profession, 2003
PROFESSION 2003 “What has been your engagement with literature?” Stephen Greenblatt asked me. “Why do you keep coming back time and again to Rabelais?” I pondered, and realized that the answer was not straightforward. I have always found Rabelais a pleasure to read and have marveled at the surprises in each new reading.
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H. White – a Historian and Literary Critic

Диалог со временем, 2023
В статье описаны ключевые теоретические проблемы, объединяющие работы разных этапов творческого пути американского историка и литературоведа Х. Уайта. Статья носит коммеморативный характер, поэтому в ней не изложены во многом справедливые аргументы критики его исследований. Отклонившись от сложившейся традиции анализа взглядов Х.
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Literary Discourse and the Social Historian

New Literary History, 1977
N ANY COMMUNITY or period of time, two sorts of change are presumably always going on at once: real change, which is happening but may not be perceived, and perceived change, which may or may not be taking place. History, in practical terms, is largely the story of perceived change.
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