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Horace and iambos: the poet as a literary historian,
2001Horace's imitation of archaic and Hellenistic Greek iambos is a refashioning of the genre, based on limiting the power of invective while at the same time recreating its impulse. The way he uses Archilochus and Callimachus is very significant and responds to a sophisticated sense of literary history.
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Parkman's History: The Historian as Literary Artist
The New England Quarterly, 1953Kenneth B. Murdock, Otis A. Pease
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Reply to Commentaries: Women Writers, Literary Historians, and Martian Readers
New Literary History, 1980Annette Kolodny
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Parkman's History: The Historian as Literary Artist
The Mississippi Valley Historical Review, 1954Howard H. Peckham, Otis A. Pease
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Through the Looking Glass: What Western Historians and Literary Critics Can Learn from Each Other
Pacific Historical Review, 2003Blake Allmendinger
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