Results 61 to 70 of about 1,103,534 (298)

“A Musician Who Puts on a Gig”: Local Promoter’s Multiple Roles and Hierarchies at a Small British Jazz Club

open access: yesIASPM Journal, 2015
The growing body of research on live music events and the industry around it has paid little attention to the lived experience of the local promoters, their work and the negotiations that take place within small venues.
Elina Hytönen-Ng
doaj   +1 more source

Design Implications for Technology-Mediated Audience Participation in Live Music [PDF]

open access: yes, 2017
Mobile and sensor-based technologies have created new interaction design possibilities for technology-mediated au- dience participation in live music performance.
Fitzpatrick, Geraldine   +3 more
core  

The Insistence of Blackness and the Persistence of Antiblackness in Ireland

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
wiley   +1 more source

Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine

open access: yesCommuniquer
Based on an ethnosemiotic study of two concerts broadcast in livestream in 2019 and 2020 by the Indochine music band, we observe how fans express themselves about live performances and how they document them on Twitter and Instagram. Through the analysis
Laure Bolka-Tabary
doaj   +1 more source

Aesthetic Judgments of Live and Recorded Music: Effects of Congruence Between Musical Artist and Piece

open access: yesFrontiers in Psychology, 2021
The COVID-19 pandemic has brought the live music industry to an abrupt halt; subsequently, musicians are looking for ways to replicate the live concert experience virtually.
Amy M. Belfi   +3 more
doaj   +1 more source

MY EYES DUE SEE [PDF]

open access: yes, 2018
My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts ...
Barfield, Johannes J
core   +1 more source

On the Prospects for African Philosophy in Australia

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper grapples with the situation of people of African descent in Australia by working through the constitution of the body of academic philosophy in the country. It contends with the parochialism of the Australian philosophical community and the prospects for the cultivation of greater pluralism. Taking African philosophy as one possible
Bryan Mukandi
wiley   +1 more source

Do Hospitalized Premature Infants Benefit from Music Interventions? A Systematic Review of Randomized Controlled Trials.

open access: yesPLoS ONE, 2016
ObjectiveNeonatal intensive care units (NICU) around the world increasingly use music interventions. The most recent systematic review of randomized controlled trials (RCT) dates from 2009. Since then, 15 new RCTs have been published.
Marianne J E van der Heijden   +5 more
doaj   +1 more source

Music listening as distraction from everyday worries

open access: yesNordic Journal of Arts, Culture and Health, 2019
Background: Anecdote suggests that listening to music can help to distract from worries about ongoing life problems. Purpose: In this study we examine the phenomenon and ask, to what extent does music listening alleviate worry, and under what ...
Töres Theorell   +2 more
doaj   +1 more source

Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner [PDF]

open access: yes, 2013
Live music performance with computers has motivated many research projects in science, engineering, and the arts. In spite of decades of work, it is surprising that there is not more technology for, and a better understanding of the computer as music ...
Dannenberg, RB   +7 more
core   +1 more source

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