Results 41 to 50 of about 2,038,744 (339)
En live sur Pitchfork : les performances multiples de la forme audiovisuelle
Communiquer, 2022 Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music ...
Maxim Bonin
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IASPM Proceedings, 2012 The current crisis within the recording sector has been accompanied by an apparent boom in live music. In 2008 and 2009 the economic value of live music in the UK exceeded that of recorded music and the gap appears to be growing. While such trends have been commented upon in numerous places, what has been less common is to examine the ways in which the
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How live is live?: COVID-19, live music, and online performances
, 2022 The rapid spread of COVID-19 during early 2020 had a sudden and devastating impact on live music. Music venues across the world were shut down in a matter of days, festivals cancelled and tours postponed.
Green, Ben +6 more
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Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
Communiquer, 2022 Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of ...
Philippe Bouquillion +2 more
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Live Coding and Music Production as Hybrid Practice [PDF]
, 2023 This article discusses incorporating live coding as part of a new Foundation pathway for music production at a UK university that started in September 2022.
Boon, H.
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Everyone Loves Live Music: A Theory of Performance Institutions
International Journal of Music Business Research, 2021 With his new book, Fabian Holt provides a critical assessment of current live music discourse and prospects for new theory in the field of live music research.
Daniel Nordgård
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What Determines the Perception of Segmentation in Contemporary Music?
Frontiers in Psychology, 2020 BackgroundThis study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as ...
Michelle Phillips +8 more
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Popular Music, 2023 One of the more annoying aspects of the life of a popular music academic is that we study music that is primarily made and used by people who seem to have no interest at all in what we have to say. Popular musicians and fans are engaged with what we're talking about but not with how we talk about it.
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Journal of Cultural Economics, 2022 Recent commentaries on the music industry have emphasised the importance of social media in creating a monetisable fan base. However, no quantitative evidence yet exists regarding the correlation between social media follower numbers and artist income ...
Allan Watson +2 more
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Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands
Journal of Cultural Economics, 2021 This paper seeks to understand the role of valuing in urban live music ecologies. It explains how multiple actors (e.g. directors of music venues, musicians, policy-makers, and real estate experts) in Dutch live music ecologies negotiate the different ...
Arno van der Hoeven +5 more
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