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Communiquer, 2022 This reading note concerns the book The Future of Live Music, published by Bloomsbury editions (2020). Directed by three professors from the University of Central Lancashire (Preston, United Kingdom), it involves 16 contributors in 13 chapters divided ...
Paco Garcia
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Music Distribution in the Consumer Society: the Creation of Cultural Identities Through Sound [PDF]
, 2010 Our behavior is determined by the characteristics of the culture in which we live. Culture imposes on us ways of thinking and perceiving, habits, customs and usages.
Hormigos-Ruiz, Jaime
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The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 [PDF]
IASPM Journal, 2016 While live performance and rock authenticity are topics widely investigated across popular music studies, cultural studies, and performance studies, the particular media practices that constitute liveness in rock music have been treated without rigorous ...
Landon Palmer
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Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
Current Musicology, 2009 Live music does not exist without its recorded other. In other words, the concept of liveness in music was unknown until there was something not live-recordings-with which to compare it.
Paul Sanden
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IASPM Proceedings, 2012 The current crisis within the recording sector has been accompanied by an apparent boom in live music. In 2008 and 2009 the economic value of live music in the UK exceeded that of recorded music and the gap appears to be growing. While such trends have been commented upon in numerous places, what has been less common is to examine the ways in which the
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Run to the Beat: Sport and music for the masses [PDF]
, 2013 Run to the Beat is a half marathon event that is accompanied by live and pre-recorded music. The author was involved with the event as the lead consultant in the period 2007-2010. This case study examines the genesis of the event, the science on which it
Karageorghis, CI
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Interacting with generative music through live coding [PDF]
, 2009 All music performances are generative to the extent that the actions of performers produce musical sounds, but in this article we focus on performative interaction with generative music in a more compositional sense.
Brown, Andrew, Sorensen, Andrew
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The Musical Arrangement of a Live-Action Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2021 The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works.
Лілія Єременко +1 more
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, 2017 Live interactions have the potential to meaningfully engage audiences during musical performances, and modern technologies promise unique ways to facilitate these interactions.
Fails Jerry Alan +4 more
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YouthBackground: Children and young people’s (CYP) mental health is a policy priority, with rates of poor mental health reported to be as much as one in five across the UK.
Lynne Gilmour +4 more
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