Results 21 to 30 of about 1,103,534 (298)
"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project
IASPM Journal, 2010 This series of articles presents the findings of a research team who are one year into a three-year project investigating the social, cultural and economic impact of live music in the UK over the past 50 years.
Simon Frith +3 more
doaj +1 more source
En live sur Pitchfork : les performances multiples de la forme audiovisuelle
Communiquer, 2022 Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music ...
Maxim Bonin
doaj +1 more source
Review | The History of Live Music in Britain Volume II, 1968-1984: from Hyde Park to the Hacienda [PDF]
IASPM Journal, 2019 Book Review: The History of Live Music in Britain Volume ...
Alison C. Eales
doaj +1 more source
Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
Communiquer, 2022 Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of ...
Philippe Bouquillion +2 more
doaj +1 more source
Rethinking live electronic music: a DJ perspective [PDF]
, 2013 The author critiques the conventional understanding of live electronic music through empirical research on his own DJ practice and investigates others working in the field.
Vandemast-Bell, Paul
core +2 more sources
Herding cats: observing live coding in the wild [PDF]
, 2014 After a momentous decade of live coding activities, this paper seeks to explore the practice with the aim of situating it in the history of contemporary arts and music.
Aaron S. +13 more
core +1 more source
Music Information Retrieval in Live Coding: A Theoretical Framework [PDF]
, 2018 The work presented in this article has been partly conducted while the first author was at Georgia Tech from 2015–2017 with the support of the School of Music, the Center for Music Technology and Women in Music Tech at Georgia Tech. Another part of this
Freeman, Jason +2 more
core +2 more sources
British Educational Research Journal, EarlyView., 2023 Abstract Early childhood has increasingly been acknowledged as a vital time for all children. Inclusive and quality education is part of the United Nations Sustainable Development Goals, with the further specification that all children have access to quality pre‐primary education.
Laura H. V. Wright +8 more
wiley +1 more source
What Determines the Perception of Segmentation in Contemporary Music?
Frontiers in Psychology, 2020 BackgroundThis study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as ...
Michelle Phillips +8 more
doaj +1 more source
Evaluation of live human-computer music-making: Quantitative and qualitative approaches [PDF]
, 2009 NOTICE: this is the author’s version of a work that was accepted for publication in International Journal of Human-Computer Studies. Changes resulting from the publishing process, such as peer review, editing, corrections, structural formatting, and ...
Bryan-Kinns, N +3 more
core +2 more sources