Results 11 to 20 of about 71,887 (259)

Making Live Music Count: The UK Live Music Census [PDF]

open access: yesPopular Music and Society, 2019
In 2017 we conducted the first-ever nationwide live music census, allowing for unprecedented levels of detailed, comparable data on the live music cultures of different localities. Live music censuses have been increasingly used in recent years (e.g. Melbourne, Edinburgh, Bristol) to illustrate the value of music to policymakers.
Behr, A   +4 more
openaire   +2 more sources

Live music and translation: The case of performances involving singing

open access: yesJoSTrans: The Journal of Specialised Translation, 2021
This article explores the multicultural and multilingual context of live music today in relation to translation, focusing primarily on a European context.
Lucile Desblache
doaj   +1 more source

Efeitos da Música ao Vivo e Mecanizada em Ambientes de Varejo Supermercadista [PDF]

open access: yesRAC: Revista de Administração Contemporânea, 2016
This article aimed to analyze the effect of live music, compared to mechanized music, and the absence of music on consumer behavior in supermarket environments. Two field experiments were conducted in two supermarkets.
Marconi Freitas da Costa   +1 more
doaj   +1 more source

Digital Approaches to Music-Making for People With Dementia in Response to the COVID-19 Pandemic: Current Practice and Recommendations

open access: yesFrontiers in Psychology, 2021
Before COVID-19, dementia singing groups and choirs flourished, providing activity, cognitive stimulation, and social support for thousands of people with dementia in the UK. Interactive music provides one of the most effective psychosocial interventions
Becky Dowson   +19 more
doaj   +1 more source

Exploring the impact of live music performances on the wellbeing of community dwelling people living with dementia and their care partners

open access: yesWellbeing, Space and Society, 2021
Background: Music-based initiatives cover a wide range of activity, including music therapy in either an individual or group capacity, choirs, orchestral performances, and apps on digital technology enabling people to engage with individual playlists ...
Sarah Kate Smith   +2 more
doaj   +1 more source

Practical Idealism: Live Music Associations and the Revitalization of the Music Festival Scene [PDF]

open access: yesIASPM Journal, 2019
In the seventies live music associations were established across Finland. They challenged the prevailing practices of event production and became major players in the live music business.
Heikki Uimonen
doaj   +1 more source

"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project

open access: yesIASPM Journal, 2010
This series of articles presents the findings of a research team who are one year into a three-year project investigating the social, cultural and economic impact of live music in the UK over the past 50 years.
Simon Frith   +3 more
doaj   +1 more source

En live sur Pitchfork : les performances multiples de la forme audiovisuelle

open access: yesCommuniquer, 2022
Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music ...
Maxim Bonin
doaj   +1 more source

Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?

open access: yesCommuniquer, 2022
Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of ...
Philippe Bouquillion   +2 more
doaj   +1 more source

Live music as ideology [PDF]

open access: yesIASPM Proceedings, 2012
The current crisis within the recording sector has been accompanied by an apparent boom in live music. In 2008 and 2009 the economic value of live music in the UK exceeded that of recorded music and the gap appears to be growing. While such trends have been commented upon in numerous places, what has been less common is to examine the ways in which the
openaire   +1 more source

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