Results 71 to 80 of about 1,094,921 (205)
Design Implications for Technology-Mediated Audience Participation in Live Music [PDF]
, 2017 Mobile and sensor-based technologies have created new interaction design possibilities for technology-mediated au- dience participation in live music performance.
Fitzpatrick, Geraldine +3 more
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Impact of spatial audiovisual coherence on source unmasking [PDF]
, 2016 8 pagesInternational audienceThe influence of the spatial audiovisual coherence is evaluated in the context of a video recording of live music. In this context, audio engineers currently balance the audio spectrum to unmask each music instrument getting ...
Changenet, Frédéric +4 more
core +2 more sources
Remembering the future: An overview of co-evolution in musical improvisation [PDF]
, 2007 Musical improvisation is driven mainly by the unconscious mind, engaging the dialogic imagination to reference the entire cultural heritage of an improvisor in a single flash.
Morelli, D, Plans-Casal, D
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Digithum, 2015 La música en viu és una activitat social i artística en què tots els que hi participen estableixen un conjunt de relacions en temps real, mediatitzades per diferents factors musicals, socials, psicològics i de l’entorn.
Joan-Albert Serra
doaj +1 more source
Acoustic intervention in a live music club. What can an audiologist contribute to? [PDF]
, 2008 Introduction: The number of hearing impairments in Sweden is increasing. The largest increase is seen in ages 25-44. There are reasons to believe that these impairments are noise induced.
Sandell, Jenny
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The Utilisation of Music by Casino Managers: An Interview Study [PDF]
, 2016 Music is ubiquitous in retail and commercial environments, with some managers believing that music can enhance the customer experience, increase footfall and sales and improve consumer satisfaction.
Bramley, S., Dibben, N., Rowe, R.
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Indirect network effects with two salop circles: the example of the music industry [PDF]
This paper analyses the interdependency between the market for music recordings and concert tickets, assuming that there are positive indirect network effects both from the record market to ticket sales for live performances and vice versa. Using a model
Dewenter, Ralf +2 more
core +3 more sources
Time to Listen: Most Regular Patrons of Music Venues Prefer Lower Volumes
Frontiers in Psychology, 2019 High sound levels are a feature of nightclubs and live music venues, and therefore pose a risk to patrons’ hearing. As a result, these venues are often a focus area for hearing health promotion, and particular emphasis is placed on motivating patrons to ...
Elizabeth Francis Beach +3 more
doaj +1 more source
The Effect of Musical Characteristics, Exposure, and Individual Difference Variables on String Student Musical Preference: Implications for Introducing Western Art Music [PDF]
, 2009 This study explores the influences of various musical, environmental, and personal factors on string students\u27 preferences for selections of Western Art Music. The purpose of this study was to provide insight into the information of music preferences
Bollero, Michael Reed
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Frontiers in PsychologyNowadays there are multiple ways to perceive music, from attending concerts (live) to listening to recorded music through headphones (medial). In between there are many mixed modes, such as playback performances.
Larina Sue Meinel +3 more
doaj +1 more source