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GODART, Caroline. The Dimensions of Difference: Space, Time and Bodies in Women’s Cinema and Continental Philosophy [PDF]
Qi, Fang
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Intimidad y política en la literatura y el cine latinoamericanos contemporáneos [PDF]
, 2016 Dufays, Sophie, Willem, Bieke
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Crisis, Estrangement, and Critique in Lucrecia Martel’s Salta Trilogy
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ReFocus: The Films of Lucrecia Martel
2022Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions.
Christofoletti Barrenha, Natalia +2 more
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Interviews with Lucrecia Martel
2019DAVID OUBIÑA: La Ciénaga appeared a bit on the sides of the New Argentine Cinema.1 It is included in the term, because the film is part of the same generation and because of its conflictive relation to several dominant films of the preceding cinema, but at the same time its production circumstances differ from films ...
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2020
Lucrecia Martel (b. 1966) is one of the best-known contemporary Latin American filmmakers. She is an innovative stylist who has gained worldwide recognition for her strange, oneiric, and sensorial feature films, which have won prizes at film festivals around the world.
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Lucrecia Martel (b. 1966) is one of the best-known contemporary Latin American filmmakers. She is an innovative stylist who has gained worldwide recognition for her strange, oneiric, and sensorial feature films, which have won prizes at film festivals around the world.
openaire +1 more source