Results 191 to 200 of about 39,718 (250)
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LUDWIG VAN BEETHOVEN GRAND FUGUESFOR STRING QUARTET in B-dur, op.133
Eurasian Science and ArtsThis article is devoted to an analysis of Ludwig van Beethoven’s Grand Fuguesin B-dur, Op.133 –one of the central works of the composer’s late creative period.
Rogneda Lukyanova
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2001
Abstract Much has been written and said as to the legitimacy and scope of what is called ‘programme music’-that is to say music that, without employing the human voice or the aid of scenery or action, depicts external objects. But it may be doubted whether we shall ever find a better solution of the problem than Beethoven’s, as expressed
Michael Tilmouth +2 more
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Abstract Much has been written and said as to the legitimacy and scope of what is called ‘programme music’-that is to say music that, without employing the human voice or the aid of scenery or action, depicts external objects. But it may be doubted whether we shall ever find a better solution of the problem than Beethoven’s, as expressed
Michael Tilmouth +2 more
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Analysis of the Performance of Ludwig van Beethoven's "Pastoral" Piano Sonata
Highlights in Art and DesignThis paper analyzes Beethoven's "Pastoral" Sonata from the perspectives of both its formal structure and performance techniques. This paper indicates that structurally, the sonata creates a sense of static spatiality through sustained tonic notes and ...
Shiyu Chen
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1991
Abstract Many books have been written about Beethoven but it is rare to find one which seeks an alternative to the tendency of academia, on the one hand, to fragmentation, and of popular biographical writing, on the other, to a superficial overview.
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Abstract Many books have been written about Beethoven but it is rare to find one which seeks an alternative to the tendency of academia, on the one hand, to fragmentation, and of popular biographical writing, on the other, to a superficial overview.
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1992
Mit B. beginnt eine neue Ara der Tonkunst. Er hat durch sein Werk die Musik aus allen Bindungen an ausere Gegebenheiten (Institutionen) befreit, er hat dieselben vielmehr, in dem ihn betreffenden Bereich, nach seinen Vorstellungen verandert. Seine Werke stellen gegenuber den gattungsgleichen Kompositionen seiner Vorganger (und Zeitgenossen) ganz neue ...
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Mit B. beginnt eine neue Ara der Tonkunst. Er hat durch sein Werk die Musik aus allen Bindungen an ausere Gegebenheiten (Institutionen) befreit, er hat dieselben vielmehr, in dem ihn betreffenden Bereich, nach seinen Vorstellungen verandert. Seine Werke stellen gegenuber den gattungsgleichen Kompositionen seiner Vorganger (und Zeitgenossen) ganz neue ...
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2020
Few if any other composers in the history of European art music have inspired more words on paper than Ludwig van Beethoven. Even during his lifetime (b. 1770–d. 1827), Beethoven’s music inspired both heated debate and thoughtful reaction among some of the era’s most influential critics and philosophers, a discourse which would only intensify after his
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Few if any other composers in the history of European art music have inspired more words on paper than Ludwig van Beethoven. Even during his lifetime (b. 1770–d. 1827), Beethoven’s music inspired both heated debate and thoughtful reaction among some of the era’s most influential critics and philosophers, a discourse which would only intensify after his
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Wiener Medizinische Wochenschrift, 2023
Dongwon Lee, W. Meredith, B. Lebwohl
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Dongwon Lee, W. Meredith, B. Lebwohl
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1995
Abstract This is the ultimate story of a missed deadline. So, first a calendar, amazing and fascinating: Late summer of 1818: Beethoven, stone deaf and soon to turn fortyeight, finishes his “Hammerklavier” Sonata, op. 106. The completion of this, his greatest work so far, begins the process that Maynard Solomon in his Beethoven ...
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Abstract This is the ultimate story of a missed deadline. So, first a calendar, amazing and fascinating: Late summer of 1818: Beethoven, stone deaf and soon to turn fortyeight, finishes his “Hammerklavier” Sonata, op. 106. The completion of this, his greatest work so far, begins the process that Maynard Solomon in his Beethoven ...
openaire +1 more source

