Unpacking Průšek’s Conception of the “Lyrical”: a Tribute and Some Intercultural Reflections
Acta Universitatis Carolinae Philologica, 2018 The essay was written in commemoration of Jaroslav Průšek (1906–1980) by his former student Leo Ou-fan Lee. The author offers a rereading of Průšek’s groundbreaking research on modern Chinese literature assessing his theoretical insights which have made ...
Leo Ou-fan Lee
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Lyricism: A Free Category or a Relevant Concept in Domestic Literary Criticism? [PDF]
Studia Litterarum“Lyrical” / “lyricism” / “lyrical principle” is used as an independent term, in combination with the object of study (prose, cycle, poem) or an adjacent phenomenon (“lyro-epic”) quite widely.
Yuliya V. Shevchuk
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Faculty recital: John Daverio and Marti Epstein, October 20, 1994 [PDF]
, 1994 This is the concert program of the Faculty recital: John Daverio and Marti Epstein performance on Thursday, October 20, 1994 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present
Gender &History, EarlyView.ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
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Du lyrisme au lecteur : le désir de contemporanéité chez João Cabral et Ana Cristina Cesar
Brésil(s)This article proposes a reading of João Cabral de Melo Neto's essays, in particular « Poesia e composição », highlighting the concepts of « norm » and « reader ».
Marcos Siscar
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About Gods, I Don\u27t Believe in None of That Shit, the Facts Are Backwards: Slaughterhouse\u27s Lyrical Atheism [PDF]
, 2016 Hip Hop group Slaughterhouse\u27s multi-membered, perversely holy quadrinity provides a fertile site for a pseudo-non-theological theological reading-a theology with and without god, that is, with god\u27s titular presence but bereft of any ethos of a ...
Bey, Marquis
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Krapp's last tape in Great Britain : production history amid changing practice [PDF]
, 2016 This book chapter investigates the production history of the play, Krapp's last ...
Head, Andrew
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‘From the Fields Into the Bars’: The Story of Israel's First Transgender Novel, The Cut (1977)
Gender &History, EarlyView.ABSTRACT In 1977, an Israeli transgender woman, Judy Spotheim, published an autobiographical novel entitled The Cut. It describes the emergence of a trans community in the commercial‐sex areas of Tel Aviv‐Jaffa, hoping to humanise trans women (coccinelles). This article is the first to study the novel and present a biography of Spotheim.
Gil Engelstein, Iris Rachamimov
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The Road to Post Apocalyptic Fiction: McCarthy’s Challenges to Post-Apocalyptic Genre [PDF]
, 2009 This presentation examines The Road by Cormac McCarthy (2006) set in the United States after some undetermined apocalypse where an unnamed man and his son negotiate starvation and the devastated landscape.
Andrade, Glenna M.
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The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music
The British Journal of Sociology, EarlyView.ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
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