Results 41 to 50 of about 19,673 (218)

Gregorini v. Shyamalan: Can Access Trump Similarity in a Globalised Digital Age?

The Journal of World Intellectual Property, EarlyView.
Abstract On the 20th February 2025, the final judgement of Gregorini v. Shyamalan rejected director Gregorini's claims that the show ‘Servant’ produced by Apple TV+ copied her independent film ‘The Truth About Emanuel’. Infringement can be established by proving substantial similarity and access to the work.
Anna Monnereau
wiley   +1 more source

Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé

Flaubert: Revue Critique et Génétique, 2017
Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. And yet, in Madame Bovary, he intentionally introduces, thirty-four times, outside of any dialogue situation, a second person (you, yours, your…)
Alain Vaillant
doaj   +1 more source

Lyricism of Old Milija's epic poems [PDF]

Zbornik Radova Filozofskog Fakulteta u Prištini, 2014
The epic poems of Old Milija are marked by a lyrical organization of the text, which is in the function of depicting the inner life of his heroes. Every now and then, Old Milija breaks the rules of epic poems to dwell upon the inner reflection of the ...
Pitulić Valentina D.
doaj   +1 more source

Interaction of Narrative and Lyrical Principles in Texts of Contemporary Musical Performers

Научный диалог, 2021
A comprehensive linguistic study of the functional features of the linguistic and communicative-pragmatic organization of narrative in text materials posted on the Internet platform is presented.
E. S. Moshtyleva
doaj   +1 more source

Muir String Quartet, September 21, 2016 [PDF]

, 2016
This is the concert program of the Muir String Quartet performance on Wednesday, September 21, 2016 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Quartet in G major, Op. 77 No.
School of Music, Boston University
core  

Johan Svendsen and Two‐Dimensional Sonata Form

Music Analysis, EarlyView.
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley   +1 more source

Miłosz in a Dispute against Poetical Form

Poznańskie Studia Polonistyczne. Seria Literacka, 2012
Czesław Miłosz accompanied his poetry with an extensive body of self-reflective writings, developed over many years. It is characterised by, on the one hand, a relative constancy of recurring motifs, and on the other, an equally constant tendency to ...
Agnieszka Kluba
doaj   +1 more source

Barking & Biting: The Poetry of Sina Queyras selected by Erin Wunker [PDF]

, 2017
Review of Erin Wunker\u27s (ed.) Barking & Biting: The Poetry of Sina ...
Kerber, Jenny
core   +1 more source

Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni

Future Humanities, Volume 4, Issue 1, May 2026.
ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
wiley   +1 more source

Boston University Symphony Orchestra, Tuesday, April 13, 1999 [PDF]

, 1999
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, April 13, 1999 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core