Results 41 to 50 of about 3,145 (219)
Itinéraires, 2015 While writing social narratives which set them as outcasts, these three poets not only engage their poetical selves in the social arena but also endanger their personal stances, leaving them exposed to a social polyphony that may either drown them out ...
Thomas Vuong
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Gregorini v. Shyamalan: Can Access Trump Similarity in a Globalised Digital Age?
The Journal of World Intellectual Property, EarlyView.Abstract On the 20th February 2025, the final judgement of Gregorini v. Shyamalan rejected director Gregorini's claims that the show ‘Servant’ produced by Apple TV+ copied her independent film ‘The Truth About Emanuel’. Infringement can be established by proving substantial similarity and access to the work.
Anna Monnereau
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Rubem Fonseca, from lyricism to violence
, 2000 Por meio da análise de personagens criadas pelo escritor carioca, com enfase nos contos, refaz-se sua trajetória ficcional, do lirismo (até 1969, com Lúcia McCartney) à fase posterior, incluindo Agosto, em que a violência predomina e o caráter lírico ...
Lafetá, João Luiz
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Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé
Flaubert: Revue Critique et Génétique, 2017 Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. And yet, in Madame Bovary, he intentionally introduces, thirty-four times, outside of any dialogue situation, a second person (you, yours, your…)
Alain Vaillant
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Johan Svendsen and Two‐Dimensional Sonata Form
Music Analysis, EarlyView.ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
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Miłosz in a Dispute against Poetical Form
Poznańskie Studia Polonistyczne. Seria Literacka, 2012 Czesław Miłosz accompanied his poetry with an extensive body of self-reflective writings, developed over many years. It is characterised by, on the one hand, a relative constancy of recurring motifs, and on the other, an equally constant tendency to ...
Agnieszka Kluba
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Interaction of Narrative and Lyrical Principles in Texts of Contemporary Musical Performers
Научный диалог, 2021 A comprehensive linguistic study of the functional features of the linguistic and communicative-pragmatic organization of narrative in text materials posted on the Internet platform is presented.
E. S. Moshtyleva
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Speaking for Dionysus: Empathy and choral advocacy in Aristotle and Nietzsche
Orbis Litterarum, EarlyView.Abstract This essay argues for an abiding connection between empathy and advocacy by revealing their unrecognized parallels in Aristotle and Nietzsche. The argument makes three new claims. First, I identify an ancient form of sharing emotions, unnamed in but fundamental to Aristotle's Rhetoric, that I call “empathy by analogy.” Next, I show that the ...
Ellwood Wiggins
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Contemporary Ecosophical Lyricism : Lyricism of Resistance and Lyrical Criticism of Philosophy in Pierre Vinclair and Jean-Philippe Pierron [PDF]
, 2023 Cet article montre, à partir de la comparaison des essais d’écopoétique publiés en 2020 par Jean-Philippe Pierron et Pierre Vinclair, comment l’inscription de problématiques écologiques en littérature reconfigure certaines des distinctions ...
Monginot, Benoît, Benoît Monginot
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Utopia Remembers: The Soviet Past in the Imagined Communist Future
The Russian Review, EarlyView.Abstract After a twenty‐five‐year hiatus, the reappearance of utopian literature in 1957 prompted Soviet literary watchdogs to corral the subgenre into an ideologically‐acceptable mold. A key requirement was for future generations to be depicted as reverently commemorating the past.
Antony Kalashnikov
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