Faculty Recital: Konstantinos Papadakis, piano, February 21, 2018 [PDF]
, 2018 This is the concert program of the Faculty Recital: Konstantinos Papadakis, piano on Wednesday, February 21, 2018 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Piano Sonata in C-sharp minor, Opus 27, No.
School of Music, Boston University
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Review of: Annmarie Drury, Translation as Transformation in Victorian Poetry (Cambridge Studies in Nineteenth-Century Literature and Culture). Cambridge: Cambridge University Press, 2015. Hardback. Pp. viii + 293 [PDF]
, 2017 No abstract ...
Williams, Rhian
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Le poète et son lecteur : les deux faces de l’éthos dans la poésie française du XIXe siècle
Babel: Littératures Plurielles, 2016 Even if the the critics of the XIXth century do not use the word « ethos », this notion is central for the reception of the lyric poetry under the name of « soul ». This kind of reading that begins with the romanticism is still pregnant with the poets of
Hugues Laroche
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The drama of the French romantic school in theory and practice [PDF]
, 1924 Thesis (M.A.)--Boston ...
Brawley, Evelyn Margaret
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International Journal of Art &Design Education, EarlyView.Abstract In recent years, there has been a growing interest in the Mokuhanga technique, a traditional Japanese printmaking method, and its contemporary evolution. This article explores the history of this discipline, its technical uniqueness, and its resurgence in the current context, with particular attention to its development in Spain.
Macarena Moreno Moreno
wiley +1 more source
The poetic world, text, designation (on the subject of Slovak poetry in the 1960s) [PDF]
Slovenska Literatura, 2011 This text, meant as a contribution to the subject of Slovak poetry in the 1960s, focuses on two key collections – Zvony (Bells, 1968) by M. Rúfus and Milovanie v husej koži (Making love with goose pimples on, 1965) by M. Válek.
Fedor Matejov
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Boston University Chamber Orchestra, Friday, December 4, 1998 [PDF]
, 1998 This is the concert program of the Boston University Chamber Orchestra performance on Friday, December 4, 1998 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Pan‐Europe Revisited: Inter‐War Debates and the EU's Pursuit of Geopolitical Power
JCMS: Journal of Common Market Studies, EarlyView.ABSTRACT The European Union's (EU) transformation from a peace project to an assertive geopolitical actor reflects enduring tensions in integration theory dating back to the inter‐war period. This paper develops a comparative framework distinguishing territorial integration logic, which emphasises bounded political communities and collective defence ...
Kamil Zwolski
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Midwifery Communication for Childbirth: A Practical Approach
Journal of Midwifery &Women's Health, EarlyView.Abstract During labor and birth, inadvertent negative suggestions from care givers and support people are common and may lead to negative experiences known as nocebo effects. Counteracting nocebo effects with the use of effective communication techniques can reduce distress, enhance birth experiences, and improve health outcomes.
Julie‐Anne Fleet +3 more
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Itinéraires, 2015 While writing social narratives which set them as outcasts, these three poets not only engage their poetical selves in the social arena but also endanger their personal stances, leaving them exposed to a social polyphony that may either drown them out ...
Thomas Vuong
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