Results 31 to 40 of about 3,145 (219)
Norwid’s Tears. On Lyricism and Rhetoric
, 2018 The text presents in a multi-faceted way the motif of tears in Norwid’s writings. The motif is shown within a new research context, i.e. the tradition of baroque rhetoric.
Seweryn, Agata
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Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present
Gender &History, EarlyView.ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
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Du lyrisme au lecteur : le désir de contemporanéité chez João Cabral et Ana Cristina Cesar
Brésil(s)This article proposes a reading of João Cabral de Melo Neto's essays, in particular « Poesia e composição », highlighting the concepts of « norm » and « reader ».
Marcos Siscar
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‘From the Fields Into the Bars’: The Story of Israel's First Transgender Novel, The Cut (1977)
Gender &History, EarlyView.ABSTRACT In 1977, an Israeli transgender woman, Judy Spotheim, published an autobiographical novel entitled The Cut. It describes the emergence of a trans community in the commercial‐sex areas of Tel Aviv‐Jaffa, hoping to humanise trans women (coccinelles). This article is the first to study the novel and present a biography of Spotheim.
Gil Engelstein, Iris Rachamimov
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The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music
The British Journal of Sociology, EarlyView.ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
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Le poète et son lecteur : les deux faces de l’éthos dans la poésie française du XIXe siècle
Babel: Littératures Plurielles, 2016 Even if the the critics of the XIXth century do not use the word « ethos », this notion is central for the reception of the lyric poetry under the name of « soul ». This kind of reading that begins with the romanticism is still pregnant with the poets of
Hugues Laroche
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International Journal of Art &Design Education, EarlyView.Abstract In recent years, there has been a growing interest in the Mokuhanga technique, a traditional Japanese printmaking method, and its contemporary evolution. This article explores the history of this discipline, its technical uniqueness, and its resurgence in the current context, with particular attention to its development in Spain.
Macarena Moreno Moreno
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The poetic world, text, designation (on the subject of Slovak poetry in the 1960s) [PDF]
Slovenska Literatura, 2011 This text, meant as a contribution to the subject of Slovak poetry in the 1960s, focuses on two key collections – Zvony (Bells, 1968) by M. Rúfus and Milovanie v husej koži (Making love with goose pimples on, 1965) by M. Válek.
Fedor Matejov
doaj
Pan‐Europe Revisited: Inter‐War Debates and the EU's Pursuit of Geopolitical Power
JCMS: Journal of Common Market Studies, EarlyView.ABSTRACT The European Union's (EU) transformation from a peace project to an assertive geopolitical actor reflects enduring tensions in integration theory dating back to the inter‐war period. This paper develops a comparative framework distinguishing territorial integration logic, which emphasises bounded political communities and collective defence ...
Kamil Zwolski
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There’s a Hinterland in Me: Ambivalent Place-making in Popular Music From a National Periphery
Culture Unbound: Journal of Current Cultural ResearchNorthern Norrland has a long history of domestic colonialism and internal migration. However, in the latter half of the twentieth century the region has seen a decline in population, job opportunities and welfare services.
Tommy Bruhn
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