Results 31 to 40 of about 25,053 (164)
Calle 67, número 33 oeste. El taller de Duchamp: obra de arte total e instalación
Espacio, Tiempo y Forma. Serie VII, Historia del Arte, 2021 Este trabajo explora la presencia del ideal de obra de arte total en la trayectoria de Marcel Duchamp, desde sus creaciones más ambiciosas pasando por la concepción del conjunto de dicha trayectoria como una unidad, para acabar presentando el taller del
Eduard Cairol
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Marcel Duchamp: crítica de la significación. Lo posible y el estilo [PDF]
, 2017 El propòsit d'aquest article és el de realitzar una lectura de l'obra de Marcel Duchamp posant-la en relació amb aquell pensament estètic que té com a principals exponents a F. Nietzsche i M.
Menéndez Varela, José Luis
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The Significance of Art Education for the Post‐Anthropocene: Non‐Philosophy in a Newer Key
International Journal of Art &Design Education, Volume 43, Issue 3, Page 478-492, August 2024.Abstract This essay is a plea to art educators in what is a global climate in a permacrisis both politically and physically. This is a deliberate and persuasive provocation to reorientate art education to avoid a reiteration that is taking place when the 20th and 21st centuries are compared in relation to the striking changes that are taking place in ...
jan jagodzinski
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The artist speaks: the interview as documentation [PDF]
, 2000 Nearly every exhibition catalogue now contains an interview with, or related statement by, the artist. How and why did this become the norm? The increasing popularity of the artist's words is traced back in this article to its roots in Romanticism, the ...
Bury, Stephen, Scott, Helen
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Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love
Orbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
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Auto-maticity: Ruscha and Performative Photography [PDF]
, 2009 This piece argues that Ed Ruscha's books, such as Twentysix Gasoline Stations, are not journalistic or amateurish in style, as Jeff Wall contends, but rather performative and instructional, that is, following in a tradition initiated by Marcel Duchamp's ...
Iversen, Margaret
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The deixis of literature: On the conditions for recognizing computers as authors
Orbis Litterarum, Volume 79, Issue 4, Page 309-322, August 2024.Abstract Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts.
Hannes Bajohr
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Ese objeto mecanico y distanciado…
Aisthesis, 2000 Marcel Duchamp es el más relevante iniciador del arte conceptual. Por ello, su importancia en el arte del siglo veinte es incuestionable. Así, la obra de Duchamp, es significativa para la formación estética de muchos artistas, tales como Jasper Johns ...
Luis E. Cécéreu L.
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Traduction de 'De Bruid van Marcel Duchamp' de K. Schippers [PDF]
, 2016 Le roman de K. Schippers, De Bruid van Duchamp, publié en 2010 aux éditions Querido (Amsterdam), est l'expression de l’admiration nourrie depuis ses débuts par l'auteur pour Marcel Duchamp.
Richert, Camille, Wambacq, Judith
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The art of answerability: Dialogue, spectatorship and the history of art [PDF]
, 2009 This paper explores the contextual plurality that constitutes art history as a discipline by examining the dialogic and answerable relationship among the artist, artwork and spectator.
Haladyn, Julian Jason, Jordan, Miriam
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