Results 61 to 70 of about 24,665 (261)
Maurice Merleau‐Ponty's concept of motor intentionality: Unifying two kinds of bodily agency
I develop an interpretation of Maurice Merleau ‐ Ponty's concept of motor intentionality, one that emerges out of a reading of his presentation of a now classic case study in neuropathology — patient Johann Schneider — in Phenomenology of Perception .
G. Jackson
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Austere relationalism and seeing aspects
ABSTRACT Austere relationalism combines two claims. First, the phenomenal character of perception is at least partially constituted by the perceived items. Second, perception doesn't consist in representing the perceived items as being a certain way.
Paweł Jakub Zięba
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The role of habit in human behavior according to M. Merleau-Ponty
The issue of habit appears frequently in the Phenomenology of Perception, but nowhere in this book does Merleau-Ponty treat it in an exclusive way. He uses it rather to explain the pre-reflective nature of the original relationship of the person with ...
Patricia Moya
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Abstract The imagination seems to enjoy a conceptually unstable double‐life within Merleau‐Ponty's Phenomenology of Perception. Oscillating between a Kantian use of the term, as a ‘necessary ingredient of perception itself’ and a Sartrean depiction of what appears when say, viewing a painting or visualising an absent friend, as a nothingness that is of
James Deery
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In his lecture series The Four Fundamental Concepts of Psychoanalysis (1964), Lacan refers to a “delightful example” that Merleau-Ponty gives in his Book Signes (1960). Lacan describes it as a “strange slow-motion film in which one sees Matisse painting.”
Astrid Deuber-Mankowsky
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Zrcadlení Cézannem: poznámka k teorii obrazu u Maurice Merleau-Pontyho
The study addresses the interpretation of the French painter Paul Cézanne’s art in the thinking of Maurice Merleau-Ponty in 1945. The interpretation is mostly seen as a part of Merleau-Ponty’s argumentation of the phenomenology of perception, but the ...
Murár, Tomáš
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CAN HISTORY ABSOLVE? CAN HISTORY JUDGE?
ABSTRACT Appealing to history, rather than to God, to provide an ultimate judgment about human actions can have a justificatory or consolatory function. The former grants proleptic absolution for acts that may be morally dubious because of their benign consequences, while the latter enables victims in the present to gain a measure of relief by ...
MARTIN JAY
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Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
This essay is about Julio Cortázar's literary that concerns shifted notably from his early concern with art and artistic expression to the strong political commitment of his later work.
Lois Parkinson Zamora
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The goal of our article is to review the widespread anthropological figure, according to which we can achieve a better understanding of humans by contrasting them with animals.
Jan Halák, J. Klouda
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ABSTRACT Aim To explore the lived experience following Roux‐en‐Y gastric bypass surgery of eight men and women in the South of England who had undergone surgery a minimum of 12 months prior. Design This phenomenologically based qualitative study utilised Interpretative Phenomenological Analysis (IPA) as a framework for the analysis and exploration of ...
Nathan Faulkner+2 more
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