Results 61 to 70 of about 21,006 (235)

Heidegger and Levinas on the phenomenology of the hand: Between work and gesture

The Southern Journal of Philosophy, EarlyView.
Abstract This article explores how Heidegger and Levinas develop distinct phenomenological accounts of the hand. Both thinkers refuse to treat the hand as merely an anatomical organ, instead viewing it as an essential dimension of human existence. Yet their interpretations diverge sharply. In the first section, I show how Heidegger grounds the function
Cristian Ciocan
wiley   +1 more source

Merleau-Ponty

Ideas y Valores, 1986
Tomado de la Revue Internationale de Philosophie, Nos. 152-153, 1985. Traducción de Magdalena Holguín.
Jean-Paul Sarte, Magdalena Holguín (trad.)   +1 more
openaire   +3 more sources

Estrutura e ontologia na obra de Merleau-Ponty

Revista de Filosofia, 2013
Esse trabalho discute a renovação e a centralidade do conceito de estrutura no projeto ontológico de Merleau-Ponty. Estabelece, primeiro, a ideia de que na obra de Merleau-Ponty não existe um sentido unívoco para a noção de estrutura, mas uma polissemia ...
Ericson Falabretti
doaj   +1 more source

Seriality and style: The embodiment, perception, and normalization of collectives

The Southern Journal of Philosophy, EarlyView.
Abstract Within existential phenomenology, both seriality and style have been drawn on to theorize the embodiment and perceptibility of (social) ontological differences. While style refers to how we encounter the world and others not in the abstract, but as immediately and intuitively meaningful, seriality is a form of collective being that pertains to
Tris Hedges
wiley   +1 more source

The Paradox of a Gesture, Enlarged by the Distension of Time: Merleau-Ponty and Lacan on a Slow-Motion Picture of Henri Matisse Painting

Performance Philosophy, 2017
In his lecture series The Four Fundamental Concepts of Psychoanalysis (1964), Lacan refers to a “delightful example” that Merleau-Ponty gives in his Book Signes (1960). Lacan describes it as a “strange slow-motion film in which one sees Matisse painting.”
Astrid Deuber-Mankowsky
doaj   +1 more source

Theatres of Indirectness: Passive Aggression and Failure

Critical Quarterly, EarlyView.
Sara Crangle, Sam Ladkin
wiley   +1 more source

Toward a comprehensive method of phenomenological understanding: Foucault’s early critique of Jaspers’s “hermeneutic limit”

The Southern Journal of Philosophy, EarlyView.
Abstract In this article, I highlight the significant influence that Karl Jaspers had on the early Foucault. In particular, I focus on what I refer to as the “hermeneutic limit” of Jaspers's phenomenologically inspired method of intuitive understanding.
Leonhard Riep
wiley   +1 more source

APALPAR COM O OLHAR: UMA REFLEXÃO SOBRE UMA POSSÍVEL FUNÇÃO HÁPTICA NA OBRA DE MERLEAU-PONTY

Kínesis, 2012
Esta análise visa pensar se é possível associarmos Merleau-Ponty com uma tradição que descreve a visão a partir de uma função háptica – uma tradição que enfatiza como a visão é capaz de realizar uma função própria ao tocar. Para isto, retomaremos vários
Ronaldo Manzi Filho
doaj   +1 more source

The figures of the cogito: Foucault, Derrida and the possibility of transcendental phenomenology

The Southern Journal of Philosophy, EarlyView.
Abstract This article examines the early Foucault as a reader of Husserl, a frequently overlooked dimension of his thought that nonetheless paved the way for the Foucault we recognize today. Drawing on his recently published manuscripts on phenomenology, it reconstructs the distinctive interpretation of phenomenology that the young Foucault was ...
Changyuan Chen
wiley   +1 more source

Corporalidad y percepción como claves de la crítica Meleau-Pontiana a Bergson

Aufklärung, 2017
El propósito de este trabajo es relevar la importancia crucial de las cuestiones de la corporalidad y la percepción para la comprensión de las múltiples lecturas que Merleau-Ponty realizó de diversos aspectos de la filosofía bergsoniana.
Esteban Andrés García
doaj   +1 more source