Results 61 to 70 of about 31,971 (220)
Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand
Nations and Nationalism, EarlyView.ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
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Ethics and esthetics of the body: among Merleau-Ponty, Cézanne and Jenny Saville. [PDF]
, 2022 openAttraverso uno studio del ruolo che il corpo assume nella trattazione filosofica di Maurice Merleau-Ponty, si cercherà di utilizzare le stesse categorie in rapporto a pittori come Cézanne e Jenny Saville.
DAFFINI, CAMILLA
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SARTRE Y MERLEAU–PONTY: “GUARDARSE DE INTERPRETACIONES
Praxis Filosófica, 2011 El pensamiento existencial ha sido determinante en su crítica a la abstracciónde los sistemas idealistas. Contribuyendo al desarrollo filosófico de lafenomenología, dicho pensamiento ha planteado de manera radicalmentenueva el problema de la existencia ...
Juan Manuel Cuartas R.
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Theatres of Indirectness: Passive Aggression and Failure
Critical Quarterly, EarlyView.
Sara Crangle, Sam Ladkin
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Pacific Philosophical Quarterly, EarlyView.ABSTRACT Discussions of style in contemporary analytic philosophy have been confined almost exclusively to aesthetics, yet many bodily actions seem to exhibit styles as well. We can have an aggressive or a placid style of driving; a sloppy or a meticulous style of washing the dishes; an idiomatic or a weird way of playing jazz.
Noam Tiran
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Maurice Merleau-Ponty and Cortázar’s Phenomen(ologic)al Fictions
Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada, 1996 This essay is about Julio Cortázar's literary that concerns shifted notably from his early concern with art and artistic expression to the strong political commitment of his later work.
Lois Parkinson Zamora
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Heidegger and Levinas on the phenomenology of the hand: Between work and gesture
The Southern Journal of Philosophy, EarlyView.Abstract This article explores how Heidegger and Levinas develop distinct phenomenological accounts of the hand. Both thinkers refuse to treat the hand as merely an anatomical organ, instead viewing it as an essential dimension of human existence. Yet their interpretations diverge sharply. In the first section, I show how Heidegger grounds the function
Cristian Ciocan
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Estrutura e ontologia na obra de Merleau-Ponty
Revista de Filosofia, 2013 Esse trabalho discute a renovação e a centralidade do conceito de estrutura no projeto ontológico de Merleau-Ponty. Estabelece, primeiro, a ideia de que na obra de Merleau-Ponty não existe um sentido unívoco para a noção de estrutura, mas uma polissemia ...
Ericson Falabretti
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Seriality and style: The embodiment, perception, and normalization of collectives
The Southern Journal of Philosophy, EarlyView.Abstract Within existential phenomenology, both seriality and style have been drawn on to theorize the embodiment and perceptibility of (social) ontological differences. While style refers to how we encounter the world and others not in the abstract, but as immediately and intuitively meaningful, seriality is a form of collective being that pertains to
Tris Hedges
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Performance Philosophy, 2017 In his lecture series The Four Fundamental Concepts of Psychoanalysis (1964), Lacan refers to a “delightful example” that Merleau-Ponty gives in his Book Signes (1960). Lacan describes it as a “strange slow-motion film in which one sees Matisse painting.”
Astrid Deuber-Mankowsky
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