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2020
‘Metalepsis’ is a classical term. Ancient critics, however, only used it within the confines of rhetoric and stylistics to describe certain usages akin to metaphor and metonymy. In the twentieth century, metalepsis was then reframed much more broadly as a crossing of the boundaries that separate distinct narrative worlds.
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‘Metalepsis’ is a classical term. Ancient critics, however, only used it within the confines of rhetoric and stylistics to describe certain usages akin to metaphor and metonymy. In the twentieth century, metalepsis was then reframed much more broadly as a crossing of the boundaries that separate distinct narrative worlds.
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Metalepsis, 2020
This analysis of metalepsis in the Expositio Virgilianae Continentiae, an allegorical exposition of Virgil’s Aeneid by the sixth-century Christian Fulgentius, enables the formulation of a new critical concept, ‘secondary metalepsis’. In this phenomenon, the diegetic levels of author, narrator, and narrative are blurred not by the same author but by ...
Talitha Kearey
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This analysis of metalepsis in the Expositio Virgilianae Continentiae, an allegorical exposition of Virgil’s Aeneid by the sixth-century Christian Fulgentius, enables the formulation of a new critical concept, ‘secondary metalepsis’. In this phenomenon, the diegetic levels of author, narrator, and narrative are blurred not by the same author but by ...
Talitha Kearey
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Metalepsis, 2020
This chapter examines the narratological concept of metalepsis in relation to metaphysical texts, investigating how competing metaphysical assumptions affect the ways in which metalepsis is thought to operate in relation to empirical experience. It takes as a major point of reference Christopher Nolan’s 2010 movie Inception, in which three distinct ...
D. Kennedy
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This chapter examines the narratological concept of metalepsis in relation to metaphysical texts, investigating how competing metaphysical assumptions affect the ways in which metalepsis is thought to operate in relation to empirical experience. It takes as a major point of reference Christopher Nolan’s 2010 movie Inception, in which three distinct ...
D. Kennedy
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Horizontal metalepsis in narrative fiction
Frontiers of Narrative StudiesThis article presents a paradoxical narrative device that is controversially discussed in narratology. Since the introduction of metalepsis into narratology by Gérard Genette in the “Discours du récit” (1972) – “Tous ces jeux manifestent […] l’importance
Sabine Schlickers
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The permeable reader: queer metalepsis and the novels of Barbara Trapido
Textual PracticeThis article considers how contemporary women’s writing manipulates the novel form in order to represent reading and its effects. I propose that specific novels represent a potential permeability of readers – a latent capacity for an ambiguous yet ...
Sophie Corser
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Metalepsis in Film and Its Implications
2020This chapter concentrates on the rhetorical figure of metalepsis as an important example of the ways that the two senses of confusion distinguished in the prospectus can intersect in narrative films. In film, metalepsis refers to situations in which ontological layers that "should not" be able to intersect nevertheless do so, such as when Buster Keaton
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